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e. Ruqʿah (Arabic: رُقعة) or Riqʿah (رِقعة) is a writing style of Arabic script intended for the rapid production of texts. It a relatively simple and plain style, used for everyday writing and often used for signs. [1] The Ottoman calligraphers Mumtaz Efendi [2] (1810–1872) and Mustafa Izzet Efendi (1801–1876) are credited with ...
Arabic calligraphy is the artistic practice of handwriting and calligraphy based on the Arabic alphabet. It is known in Arabic as khatt (Arabic: خَطّ), derived from the words 'line', 'design', or 'construction'. [1][2] Kufic is the oldest form of the Arabic script. From an artistic point of view, Arabic calligraphy has been known and ...
Carolingian minuscule. Example from 10th-century manuscript, Vulgate Luke 1:5–8. Carolingian minuscule or Caroline minuscule is a script which developed as a calligraphic standard in the medieval European period so that the Latin alphabet of Jerome 's Vulgate Bible could be easily recognized by the literate class from one region to another.
Antiqua (/ ænˈtiːkwə /) [1] is a style of typeface used to mimic styles of handwriting or calligraphy common during the 15th and 16th centuries. [2] Letters are designed to flow, and strokes connect together in a continuous fashion; in this way it is often contrasted with Fraktur -style typefaces where the individual strokes are broken apart.
Thuluth (Arabic: ثُلُث, Ṯuluṯ or Arabic: خَطُّ الثُّلُثِ, Ḵaṭṭ-uṯ-Ṯuluṯ; Persian: ثلث, Sols; Turkish: Sülüs, from thuluth "one-third") is an Arabic script variety of Islamic calligraphy. The straight angular forms of Kufic were replaced in the new script by curved and oblique lines. In Thuluth, one-third ...
Islamic calligraphy is the artistic practice of handwriting and calligraphy, in the languages which use Arabic alphabet or the alphabets derived from it. It includes Arabic, Persian, Ottoman, and Urdu calligraphy. [2][3] It is known in Arabic as khatt Arabi (خط عربي), which translates into Arabic line, design, or construction. [4]
Abol Atighetchi uses combination of colored naskh, suluth and kufic style calligraphy with large letters in a single large format acrylic painting for his work presentation and circles in gold leaf or simple color to decorate but in the Nastaligh style many colorful geometrical forms and lines are used to modernize the painting and the same technique is used to modernize the large format birds ...
The name Nastaliq "is a contraction of the Persian naskh-i ta'liq (Persian: نَسْخِ تَعلیق), meaning a hanging or suspended naskh. " [6] Virtually all Safavid authors (like Dust Muhammad or Qadi Ahmad) attributed the invention of nastaliq to Mir Ali Tabrizi, who lived at the end of the 14th and the beginning of the 15th century.
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