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The melody in neume notation. " Gloria in excelsis Deo " (Latin for "Glory to God in the highest") is a Christian hymn known also as the Greater Doxology (as distinguished from the "Minor Doxology" or Gloria Patri) and the Angelic Hymn[1][2] / Hymn of the Angels. [3] The name is often abbreviated to Gloria in Excelsis or simply Gloria.
Doxology. A doxology (Ancient Greek: δοξολογία doxologia, from δόξα, doxa 'glory' and - λογία, - logia 'saying') [1][2][3] is a short hymn of praises to God in various forms of Christian worship, often added to the end of canticles, psalms, and hymns. The tradition derives from a similar practice in the Jewish synagogue, [4 ...
The hymn From all that dwell below the skies, a paraphrasing of Psalm 117 by Isaac Watts with the Doxology as the final verse, is commonly sung to the tune. [9] In the Sacred Harp and other shape note singing traditions, the tune is sung with the text "O Come, Loud Anthems Let Us Sing," a metrical paraphrase of Psalm 95 from Tate and Brady 's A ...
Gloria Patri. The Gloria Patri, also known in English as the Glory Be to the Father or, colloquially, the Glory Be, is a doxology, a short hymn of praise to God in various Christian liturgies. It is also referred to as the Minor Doxology (Doxologia Minor) or Lesser Doxology, to distinguish it from the Greater Doxology, the Gloria in Excelsis Deo.
Louis Bourgeois (composer) Loys "Louis" Bourgeois (French: [buʁʒwa]; c. 1510 – 1559) was a French composer and music theorist of the Renaissance. He is most famous as one of the main compilers of Calvinist hymn tunes in the middle of the 16th century. One of the most famous melodies in all of Christendom, the tune known as the Old 100th, to ...
Both of these hymns end with a doxology beginning "Praise God, from whom all blessings flow," which is widely sung today by itself, often to the tune Old 100th. [3] "Awake, my soul, and with the sun" was included as Hymn 1 in the first edition of Hymns Ancient and Modern, while "Glory to Thee, my God, this night" was Hymn 10. [4]
In 1929, the music of the psalter was revised by the Church of Scotland to bring its harmonies into line with those in the revision of the hymnal. The psalter was usually printed at the front of the first two editions of the hymnal (1898, 1927), and throughout much of the 20th century there was a widespread tradition of beginning worship with a ...
The quality of congregational hymn singing soon began to deteriorate, and the Renaissance melodies were sung with 'whole notes' only, removing the original rhythm from the music. This practice gradually disappeared as pipe organs and choirs became more prevalent, with the exception of more orthodox churches still employing the whole-note tradition.