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Josef Hampl has been exhibiting independently since 1964. During the temporary relaxation of the regime in the second half of the 1960s, he was offered a job as an assistant in the graphic workshop of the Academy of Fine Arts in Prague, which served the studios of Prof. Vojtěch Tittelbach, Ladislav Čepelák and Jiří John.
The term chashitsu came into use after the start of the Edo period (c. 1600).In earlier times, various terms were used for spaces used for tea ceremony, such as chanoyu zashiki (茶湯座敷, "sitting room for chanoyu"), sukiya (place for poetically inclined aesthetic pursuits [fūryū, 風流]) such as chanoyu), and kakoi (囲, "partitioned-off space"). [4]
From bottom left: chashaku (tea scoop), sensu (fan), chasen kusenaoshi (whisk shaper), chasen (bamboo whisk) and fukusa (purple silk cloth) Tea utensils (茶道具, chadōgu) are the tools and utensils used in chadō, the art of Japanese tea. Tea utensils can be divided into five major categories: sōshoku dōgu (装飾道具, ' decorative items ')
Finally, pour the tea with a ladle into an Irish coffee glass for a pretty presentation, and cheers!. 4. Peppermint hot cocoa tea, Sweet dreams are made of tea and hot chocolate!.
At the core of Rikyū's aesthetic was the tea room smaller than 4.5 tatami mats. Rikyū sought to mold chanoyu into a spiritual path. His radical simplification of the tea-room interior, his reduction of space to the bare minimum needed for "a sitting", was the most practical way of focusing tea practice on the communion of host and guests.
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Due to the tea garden’s close relationship with the tea ceremony, "the tea garden became one of the richest expressions of wabi sabi." [8] These small gardens would usually include many elements of wabi-sabi style design. They were designed in a way that set the scene for the visitor to make their own interpretations and put them in the state ...
The Book of Tea (茶の本, Cha no Hon) A Japanese Harmony of Art, Culture, and the Simple Life (1906) [1] by Okakura Kakuzō (1906) is a long essay linking the role of chadō (teaism) to the aesthetic and cultural aspects of Japanese life and protesting Western caricatures of "the East".