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The Nikkatsu Company conceived Take Aim at the Police Van as a borderless action film, a studio subgenre with internationalized characters and setting. Contract director Seijun Suzuki had previously worked mainly on pop song films, a youth subgenre in which the films were built around an already popular song, and yakuza films with an occasional film noir bent. [2]
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The visual effect when viewing the T-800's perspective, dubbed "Termovision", was designed by Van Ling and produced by Video Image under project supervisor Richard Hollander. Initially scripted for eight shots but with more eventually added, Termovision provided a means of both adding to the story and revealing the T-800's internal reactions to ...
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The film depicts the nuclear arms race that developed among the major powers during World War II, ultimately setting the stage for the Cold War.The story begins with the 1945 Meeting at the Elbe between American and Soviet forces and the subsequent Potsdam Conference, where Harry S. Truman reveals that the U.S. now possesses a powerful new weapon and will not concede in the postwar division of ...
Of the $100-$110 million budget, [1] [2] [3] about half was afforded to the film's 500 special effects shots. [1] At the time, no film had involved over 200 CGI shots. [4] Phil Tippett's Tippett Studio was mainly responsible for producing effects relating to the Arachnids, or "bugs", while Sony Pictures Imageworks (SPI) was tasked with spaceship effects. [5]