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The Kraken" is a sonnet by Alfred Tennyson (1809–1892) that describes the Kraken, a mythical creature. It was published in Tennyson's Poems, Chiefly Lyrical (1830). The critic Christopher Ricks writes that it is among the best poems in the volume, all of which originate in Tennyson’s "despondency". [ 1 ]
According to legend, she killed herself by leaping from the Leucadian cliffs due to her unrequited love for the ferryman Phaon. Sappho was a prolific poet, probably composing around 10,000 lines. She was best-known in antiquity for her love poetry; other themes in the surviving fragments of her work include family and religion.
The English word "kraken" (in the sense of sea monster) derives from Norwegian kraken or krakjen, which are the definite forms of krake ("the krake"). [6] [7]According to a Norwegian dictionary, the root meaning of krake is "malformed or overgrown, crooked tree". [8]
Alcaeus and Sappho, Attic red-figure calathus, c. 470 BC, Staatliche Antikensammlungen (Inv. 2416). Alcaeus of Mytilene (/ æ l ˈ s iː ə s /; Ancient Greek: Ἀλκαῖος ὁ Μυτιληναῖος, Alkaios ho Mutilēnaios; c. 625/620 – c. 580 BC) [1] [2] was a lyric poet from the Greek island of Lesbos who is credited with inventing the Alcaic stanza.
It allows the poet to stress certain words and shape the meaning of the poem. There are two main divisions within the meters of ancient Greek poetry: lyric and non-lyric meters. "Lyric meters (literally, meters sung to a lyre) are usually less regular than non-lyric meters. The lines are made up of feet of different kinds, and can be of varying ...
Anacreon's poetry touched on universal themes of love, infatuation, disappointment, revelry, parties, festivals, and observations of everyday people and life. It is the subject matter of Anacreon's poetry that helped to keep it familiar and enjoyable to generations of readers and listeners.
Erato is the Muse of lyric poetry, particularly erotic poetry, and mimic imitation. In the Orphic hymn to the Muses, it is Erato who charms the sight. Since the Renaissance she has mostly been shown with a wreath of myrtle and roses, holding a lyre, or a small kithara, a musical instrument often associated with Apollo. [2]
More recently, critics have begun to see Corinna's poetry as engaging with Panhellenic mythical and literary traditions, rewriting them to give Boeotian characters a more prominent role. [77] Corinna's work has also been of interest to feminist literary historians as one of the few extant examples of ancient Greek women's poetry. [4]