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"Korobeiniki" (Russian: Коробе́йники, romanized: Korobéyniki, IPA: [kərɐˈbʲejnʲɪkʲɪ], lit. 'The Peddlers') is a nineteenth-century Russian folk song that tells the story of a meeting between a korobeinik (peddler) and a girl, describing their haggling over goods in a metaphor for seduction .
2 References. Toggle the table of contents. Korobeinik. 1 language. ... There is a Russian folk song "Korobeiniki" based on the poem of the same name by Nikolay Nekrasov.
[1] [2] She developed an interest for music at a young age, and started taking piano lessons "at the age of four or five". [3] She began composing her own music by playing the piano randomly and pretending to compose, eventually coming up with her own pieces, the first of which she says she still remembers how to play. [ 3 ]
The beginning of the poem (its 24 lines) evolved into a well-known folk song of the same name, [2] which became widely known outside Russia as the "Tetris theme tune". In 1910 a silent film Korobeiniki [ ru ] was released, based on the plot of the poem, directed by Vasily Goncharov .
34 Scores for Piano, Organ, Harpsichord and Celeste is a song book by Icelandic singer Björk, published by Wise Publications on June 5, 2017.Björk worked on the book, which includes arrangements of songs from Debut (1993), Post (1995), Homogenic (1997), Selmasongs (2000), Vespertine (2001), Medúlla (2004), Drawing Restraint 9 (2005), Volta (2007), and Vulnicura (2015), in collaboration with ...
[2] Many of Dino’s works are religious-based, along with secular and contemporary arrangements of classical works. Dino performed for 18 years in his own show in Branson, Missouri. [3] Among his accomplishments remains his "Peace Series” - a collection of CDs featuring subdued piano arrangements against a backdrop of nature sounds.
Franz Liszt, after an 1856 painting by Wilhelm von Kaulbach. This article lists the various treatments given by Franz Liszt to the works of almost 100 other composers.. These treatments included transcriptions for other instruments (predominantly solo piano), arrangements, orchestrations, fantaisies, reminiscences, paraphrases, illustrations, variations, and editions.
Valse oubliée No. 1 for piano (transcr. for cello and piano) 1915 pub: B&H, 1917 BV B 70 Liszt: Etude No. 2 (in E-flat major) after Paganini (S.141, no. 2) for piano 22 Sep 1916 pub [18] BV B 71 Liszt: Réminiscences de Don Juan for piano 9 Jun 1917 pub, ded [19] BV B 72: Liszt: Totentanz for piano and orchestra
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