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"My Tribute (To God Be the Glory)" is a gospel song written by American gospel singer and songwriter Andraé Crouch. He first recorded it in 1972 on his album Keep on Singin'. [1] It is considered one of Crouch's most well-known songs. It is sometimes included in Christian children's song books. [2]
Andraé Edward Crouch / ˈ ɑː n d r eɪ / (July 1, 1942 – January 8, 2015) was an American gospel singer, songwriter, arranger, record producer and pastor. Referred to as "the father of modern gospel music" by contemporary Christian and gospel music professionals, [1] Crouch was known for his compositions "The Blood Will Never Lose Its Power", "My Tribute (To God Be the Glory)" and "Soon ...
The album cover pays tribute to Los Angeles, California, ... Let the Church Say Amen - Andrae Crouch - 4:57; Heaven - Forever Jones - 5:04; References
Crouch, Bill Maxwell 1981 Don't Give Up: 51 [a] Warner Bros. Records: Bill Maxwell, Bruce Miller 1982 Finally – Light Crouch, Bill Maxwell 1984 No Time to Lose: 1 Warner Bros. Crouch, Maxwell, Bruce Lowe, Phyllis Saint James 1994 Mercy: 16 Qwest Crouch, Scott V. Smith 1997 Pray: 9 Warner Bros. 1999 The Gift of Christmas: 17 2006 Mighty Wind ...
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The group also included others. Their first performance was at a high school talent show. In 1975, the group's name was changed to The Winans. Their musical careers spanned between the 1980s into the 1990s. The Winans, who were discovered by Andrae Crouch, released their first album under the new group's name, entitled Introducing The Winans ...
In September 2012, Chanchez starred in the BET original film Let The Church Say Amen which is adapted from ReShonda Tate Billingsley's 2005 best-selling novel of the same name. This was the directorial debut of actress Regina King. [2]
Say Amen, Somebody gives an overview of the history of gospel music in the U.S. by following two main figures: Thomas A. Dorsey, considered the "Father of Gospel Music," 83 at the time of filming, recalls how he came to write his most famous song, "Take My Hand, Precious Lord" (1932), and the difficulty he faced introducing gospel blues to black churches in the early 1930s.