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A castrato (Italian; pl.: castrati) is a male singer who underwent castration before puberty in order to retain singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice can also occur in one who, due to an endocrinological condition, never reaches sexual maturity .
A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G 3 to D 5 or E 5, [1] although a sopranist (a specific kind of countertenor) may match the soprano's range of around C 4 to C 6. [2]
It is a type of tenor voice with a compass not much wider than that of the coeval baritenor, but able to sustain far higher tessiture.It means that the basic range remained substantially the classic one, from C 3 to C 5: only the best baritenors, however, were able to reach up to such heights and used to pass anyway to the falsettone (or strengthened falsetto) register [2] about G 4; for ...
Alfred Deller's grave at All Saints' Church, Boughton Aluph. Alfred George Deller, CBE (31 May 1912 – 16 July 1979), was an English singer and one of the main figures in popularising the return of the countertenor voice in Renaissance and Baroque music during the 20th century.
Michael Maniaci (born May 3, 1976) is an American opera singer. Possessing a male soprano voice, Maniaci is noted for his claim to be able to sing into the upper soprano range without resorting to falsetto, an otherwise common phonation for men who sing in high registers, such as countertenors.
A sopranist is able to sing in the soprano vocal range which is approximately between C 4 and C 6, though at times may expand somewhat higher or lower.Men of all voice types can possess the wide-ranged and effective falsetto or head voice needed to produce the contralto, mezzo-soprano and soprano vocal ranges.
Alto vocal range, F 3 to F 5, [citation needed] notated on the treble staff (left) and on piano keyboard in green with the yellow key marking middle C The contralto voice is a matter of vocal timbre and tessitura as well as range, and a classically trained solo contralto would usually have a range greater than that of a normal choral alto part ...
The nature of the haute-contre voice has been the subject of much debate. Historically, English writers have translated the term as "countertenor" which is not particularly helpful since the meaning of that latter term has also been the subject of considerable musicological controversy; both terms are ultimately derived from the Latin contratenor (see countertenor).