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Survivor is a satirical novel by Chuck Palahniuk, first published in February 1999. The book tells the story of Tender Branson, a member of the Creedish Church, a death cult . The chapters and pages are numbered backwards in the book, beginning with Chapter 47 on page 289 and ending with page 1 of Chapter 1.
Charles Michael Palahniuk (/ ˈ p ɔː l ə n ɪ k /; [1] [2] born February 21, 1962) is an American novelist who describes his work as transgressional fiction. [3] [4] He has published 19 novels, three nonfiction books, two graphic novels, and two adult coloring books, as well as several short stories.
Survivor (Gonzalez novel), a 2004 horror novel by J. F. Gonzalez; Survivor (Palahniuk novel), a 1999 satirical novel by Chuck Palahniuk "Survivor" (story), a 2004 novella in Accelerando by Charles Stross; Survivor, a 1988 novel by Christina Crawford; Survivor, a 2004 novel by William W. Johnstone that begins The Last Rebel series
Twenty-six books in, the author has made a career of writing about loners, misfits, and deviants. But the man behind these controversial and transgressive fictions is full of surprises.
Burnt Tongues is a collection of transgressive fiction stories [1] written by multiple authors, edited by Chuck Palahniuk, Richard Thomas, and Dennis Widmyer. 72 stories were submitted to the fan-made Palahniuk website "The Cult," and then put through a vetting process. [2] Palahniuk then selected and edited 20 of these for publication in the ...
Chuck Palahniuk’s just-released 20th novel, “Not Forever, But For Now,” is dark and twisted, even for him. The author of “Fight Club” and “Choke” profiles two Welch brothers named ...
Invisible Monsters is a novel by American writer Chuck Palahniuk, published in 1999. It is his third novel to be published, though it was his second written novel (after Insomnia: If You Lived Here, You'd Be Home Already). The novel was originally supposed to be Palahniuk's first novel to be published, but it was rejected by the publisher for ...
Lullaby uses a framing device, alternating between the normal, linear narrative and the temporal end after every few chapters.Palahniuk often uses this format alongside a major plot twist near the end of the book which relates in some way to this temporal end (what Palahniuk refers to as "the hidden gun").
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