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Umm Kulthum with some of the most prominent names in Egyptian classical music. From left: Riad Al Sunbati, Mohamed El Qasabgi, Farid al-Atrash and Zakariya Ahmad. Umm Kulthum's musical directions in the 1940s and early 1950s and her mature performing style led this period to become popularly known as the singer's "golden age".
Nader Anwar Gaber (Arabic: نادر أنور جابر, pronounced [ˈnæːdeɾ ˈʔɑnwɑɾ ˈɡæːbeɾ]; born 1968) [1] is an Egyptian singer who is popularly known by his stage name Abou El Leef (ابو الليف [æbʊlˈliːf], "Loofahs Person"). He grew up and lived in Cairo. Since he was young, he developed a passion for music, and ...
Abou El Leef; Ahmed Sheba; Amal Maher; Amira Selim; Amr Diab; Angham; Anoushka; Carmen Suleiman; Dina El Wedidi; Fatheya Ahmed; Hisham Abbas; Leila Mourad; Mayam Mahmoud
Umm Kulthum singing on a stage, 1965. Seret El Hob (Arabic: سيرة الحب, lit. 'The Tale of Love') is an Egyptian Arabic song performed by the Egyptian singer Umm Kulthum. The song was written by Morsi Gamil, and composed by Baligh Hamdi. It was released in 1964, and it remains one of Umm Kulthum's most celebrated and iconic works. [1]
1933 Asmahan sings his music for the first time. 1930s Mohamed El Qasabgi is Umm Kulthum's favorite composer. 1941 He composes for Umm Kulthum what most critics recognise as his all-time great piece under the name of Raa' El Habeeb. 1942 He composes the first real Egyptian opera, and is assisted by Riyadh El Sonbati, another great legend.
Egyptian singer-songwriters (15 P) This page was last edited on 12 July 2021, at 09:51 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4. ...
In Cairo, Imam met Sheikh Darwish el-Hareery, a prominent musical figure at that time, who taught him the basics of music and muwashshah singing. He then worked with the Egyptian composer Zakariyya Ahmad. At that time, he expressed interest in Egyptian folk songs especially those by Sayed Darwish and Abdou el-Hamouly. He also performed at ...
A number of those light melodies originally composed for Egyptian movies or theater are now part of the Egyptian folklore. Such songs as "Salma ya Salama", "Zorouni kol sana marra" or EI helwa di amet te'gen" are known by all Middle-Easterners and have been sung by modern singers, such as Fairuz and Sabah Fakhri, in re-orchestrated versions ...