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According to Haitian popular belief, bòkò engage in anvwamò ("expeditions"), setting the dead against an individual to cause the latter's sudden illness and death, [417] and utilise baka, malevolent spirits sometimes in animal form. [418] In Haiti, there is much suspicion and censure toward those suspected of being bòkò. [224]
Laënnec Hurbon (sometimes anglicised as Laennec Hurbon; born 1940) is a Haitian sociologist and writer specialising in the relationships between religion, culture and politics in the Caribbean region. [2] He is also a Catholic theologian and ex-priest turned researcher and writer. [3] [4]
Bondye, also known Gran Maître (Haitian Creole: Gran Mèt), [1] is the supreme creator god in the African diasporic religion of Haitian Vodou.Vodouists believe Bondye was responsible for creating the universe and everything in it, and that he maintains the universal order.
Haitian mythology consists of many folklore stories from different time periods, involving sacred dance and deities, all the way to Vodou.Haitian Vodou is a syncretic mixture of Roman Catholic rituals developed during the French colonial period, based on traditional African beliefs, with roots in Dahomey, Kongo and Yoruba traditions, and folkloric influence from the indigenous Taino peoples of ...
Karen McCarthy Brown (August 12, 1942 – March 4, 2015) [1] was an anthropologist specializing in the anthropology of religion.She is best known for her groundbreaking book Mama Lola: A Vodou Priestess in Brooklyn, which made great strides in destigmatizing Haitian Vodou.
The Haitian expression, Mereng ouvri bal, mereng fème ba; (The mereng opens the ball, the mereng closes the ball) alludes to the popularity and ubiquity of the méringue as an elite entertainment. In nineteenth-century Haiti, the ability to dance the méringue, as well as a host of other dances, was considered a sign of good breeding.
It is a very important representation of Haitian culture and history. Haitian art is distinctive, particularly in painting and sculpture where brilliant colors, naive perspective and sly humor characterize it. Frequent subjects in Haitian art include big, delectable foods, lush landscapes, market activities, jungle animals, rituals, dances, and ...
Cécile Fatiman (fl. 1791–1845) was a Haitian Vodou priestess and revolutionary.Born to an enslaved African woman and a Corsican prince, she lived her early life in slavery, before being drawn to Enlightenment ideals of "liberté, égalité, fraternité" and Haitian Vodou, which shaped her desire to end the institution of slavery in Haiti.