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This is the discography of American singer-songwriter Neil Diamond.He has sold more than 130 million records worldwide, making him one of the best-selling music artists in history.
Neil Diamond's Greatest Hits is the first compilation album of songs recorded by Neil Diamond. It was released in 1968 by Bang Records after Diamond left Bang for Uni Records . Bang would eventually release four Neil Diamond compilation albums on top of the two original Diamond albums that Bang issued in 1966 and '67. [ 2 ]
On September 7, 2011, in a message on Twitter, the 70-year-old Diamond announced his engagement to the 41-year-old Katie McNeil. The couple married in front of family and close friends in Los Angeles in 2012. [104] In addition to serving as Diamond's manager, McNeil produced the documentary Neil Diamond: Hot August Nights NYC. [105]
Over 150 songs have been certified diamond throughout history. They range from "Bohemian Rhapsody" (the best) to "Baby Shark" (the worst).
Moods is the eighth studio album by Neil Diamond, released by Uni Records in 1972. [2] It contained the second of his No.1 songs, "Song Sung Blue", and was something of a follow-up in style to the highly experimental Tap Root Manuscript. The album entered Billboard on July 15, where it reached No. 5 in early September. [3]
Billboard Hot 100 & Best Sellers in Stores number-one singles by decade Before August 1958 1940–1949 1950–1958 After August 1958 1958–1969 1970–1979 1980–1989 1990–1999 2000–2009 2010–2019 2020–2029 US Singles Chart Billboard magazine The Billboard Hot 100 chart is the main song chart of the American music industry and is updated every week by the Billboard magazine. During ...
Up On the Roof: Songs from the Brill Building, released in 1993 on Columbia Records, is a cover album and also the twenty-first studio album by Neil Diamond.It contains a duet with Dolly Parton, string arrangements by David Campbell, along with re-makes of tracks associated with the Brill Building, where Diamond had worked in the 1960s.
According to Christgau, the decade also saw greater fragmentation along stylistic lines because of the rise of semipopular music: "It goes back to whenever arty types began to find 'the best' rock worthy of attention in the '60s, but in the '60s tolerance was the rule; it was easier to name rough substyles—say British invasion, folk-rock ...
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