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Sopocko was a professor of theology at the University of Vilnius and introduced Kowalska to Kazimirowski, who was a professor of art there and had painted other religious images. Kowalska gave Kazimirowski specific instructions about the appearance and the posture of the image, which she said she had received from Jesus Christ in a vision.
A History of Ideas and Images in Italian Art, 1983, John Murray, London, ISBN 0-7195-3971-4; Hellemo, Geir. Adventus Domini: eschatological thought in 4th-century apses and catecheses. Brill; 1989. ISBN 978-90-04-08836-8. Schiller, Gertrud. Iconography of Christian Art, Vol. I, 1971 (English trans from German), Lund Humphries, London, ISBN 0 ...
A virtually unique mosaic depiction of the Ark of the Covenant (806) at Germigny-des-Prés, also features the hand of God. In Christian art the hand will often actually represent the hand of God the Son, or the Logos; this is demonstrated when later depictions start to substitute for the Hand a small half-length portrait of Christ as Logos in a ...
Ascension of Christ and Noli me tangere, c. 400, ivory, Milan or Rome, now in Munich.See below for a similar Ascension 450 years later.. New Testament scenes that appear in the Early Christian art of the 3rd and 4th centuries typically deal with the works and miracles of Jesus such as healings, the multiplication of the loaves or the raising of Lazarus. [3]
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus of Nazareth by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
The painting is especially notable for its dramatic dimensions (30.5 cm x 200 cm), [1] and the fact that Christ's face, hands and feet, as well as the wounds in his torso, are depicted as realistic dead flesh in the early stages of putrefaction. His body is shown as long and emaciated while eyes and mouth are left open. [2] Detail
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Jesus has cut his hand on an exposed nail, symbolizing the stigmata and foreshadowing Jesus's crucifixion. Some of the blood has fallen onto his foot. As Jesus's grandmother, Anne, removes the nail with a pair of pincers, his concerned mother, Mary, offers her cheek for a kiss. Joseph examines Jesus's wounded hand.
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