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There are many theories of humor which attempt to explain what it is, what social functions it serves, and what would be considered humorous. Although various classical theories of humor and laughter may be found, in contemporary academic literature, three theories of humor appear repeatedly: relief theory, superiority theory, and incongruity ...
Humour (Commonwealth English) or humor (American English) is the tendency of experiences to provoke laughter and provide amusement. The term derives from the humoral medicine of the ancient Greeks , which taught that the balance of fluids in the human body, known as humours ( Latin : humor , "body fluid"), controlled human health and emotion.
Literature, in general, is defined by Aristotle as a mimesis, or imitation of life. Comedy is the third form of literature, being the most divorced from a true mimesis. Tragedy is the truest mimesis, followed by epic poetry, comedy, and lyric poetry. The genre of comedy is defined by a certain pattern according to Aristotle's definition.
Analysis on elements and functions of laughter and humor date back to Ancient Greece (384 BCE to 322 BCE) and Roman empire (106—43 B.C.E). Most notably, Plato, Aristotle, and Cicero formulated early theories on the function of humor and laughter and paved the way for further philosophers such as Thomas Hobbes (17th century) to expand their positions.
Humor research (also humor studies) is a multifaceted field which enters the domains of linguistics, history, and literature. Research in humor has been done to understand the psychological and physiological effects, both positive and negative, on a person or groups of people.
The nineteenth-century German philosopher Arthur Schopenhauer lamented the misuse of humor (a German loanword from English) to mean any type of comedy. A humorist is adept at seeing the humor in a situation or aspect of life and relating it, usually through a story; the comedian generally concentrates on jokes designed to invoke instantaneous ...
A non sequitur (English: / n ɒ n ˈ s ɛ k w ɪ t ər / non SEK-wit-ər, Classical Latin: [noːn ˈsɛkᶣɪtʊr]; "[it] does not follow") is a conversational literary device, often used for comedic purposes. It is something said that, because of its apparent lack of meaning relative to what preceded it, [1] seems absurd to the point of being ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...