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What They Don't Talk About When They Talk About Love (Indonesian: Yang Tidak Dibicarakan Ketika Membicarakan Cinta, stylized in all lowercase) is a 2013 Indonesian drama film written and directed by Mouly Surya. [1]
Mycenaean stirrup jar from Ras Shamra Syria, 1400–1300 BC. An artifact [a] or artefact (British English) is a general term for an item made or given shape by humans, such as a tool or a work of art, especially an object of archaeological interest. [1]
Seni is mainly known from the inscription on two doorjambs found at the Nubian fortress of Kumma, where his titles are listed including overseer of the double granary of Amun. [1] The inscription is not dated, but there was found a biographical inscription at Semna where there is reported that an official was promoted by Thutmosis I to a king's ...
Hans Hofmann, Pompeii, oil on canvas, 84.25” x 52.25", 1959. Hofmann's art is generally distinguished by its rigorous concern with pictorial structure and unity, development of spatial illusion through the “push and pull” of color, shape and placement, and use of bold, often primary color for expressive means. [4]
The arts are considered various practices or objects done by people with skill, creativity, and imagination across cultures and history, viewed as a group. [1] These activities include painting, sculpture, music, theatre, literature, and more. [2]
A work of art, artwork, [1] art piece, piece of art or art object is an artistic creation of aesthetic value. Except for "work of art", which may be used of any work regarded as art in its widest sense, including works from literature and music, these terms apply principally to tangible, physical forms of visual art:
Traditional Balinese painting depicting cockfighting. Indonesian painting has a very long tradition and history in Indonesian art, though because of the climatic conditions very few early examples survive, Indonesia is home to some of the oldest paintings in the world.
Maria Tumarkin describes Hofmann's review writing as "masterful" and "convention-eviscerating". [19] Philip Oltermann remarks on the "savagery" with which Hofmann "can wield a hatchet", stating (with reference to Hofmann's antipathy towards Stefan Zweig) that: "Like a Soho drunk stumbling into the National Portrait Gallery in search of a good scrap, Hofmann has battered posthumous reputations ...