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The musical drama is about ranchers and farmers in the early days of Texas' settlement in the 1880s. [1] [2] The major themes of the play are love, romance, and people's struggle against the environment. [3] The story's protagonist is Calvin Armstrong, a young homesteader from the East who seeks to make a living as a farmer in the Texas ...
Her play Elliot, A Soldier's Fugue was a finalist for the 2007 Pulitzer Prize for Drama. [ 18 ] Other Latino theater artists include Evelina Fernández , Dolores Prida , Ilan Stavans , María Irene Fornés , Cherríe Moraga , Caridad Svich , Quiara Alegría Hudes , Jorge Ignacio Cortiñas , Tanya Saracho , and Octavio Solis .
[81] [82] In turn, Spanish Golden Age theatre has dramatically influenced the theatre of later generations in Europe and throughout the world. Spanish drama had an immediate and significant impact on the contemporary developments in English Renaissance theatre. [66] It has also had a lasting impact on theatre throughout the Spanish speaking ...
In Spanish all secular plays were called comedias, which embraced three genres: tragedy, drama, and comedy itself. During the Spanish Golden Age, corrals became popular sites for theatrical presentations in the early 16th century when the theatre took on a special importance in the country. The performance was held in the afternoon and lasted ...
The Great Theatre of the World: [A Morality Play] Based on a Theme from Calderón: auto Amar despues de la Muerte: Love After Death: 1959: Campbell, Roy: The Classic Theatre III: Six Spanish Plays, ed. Eric Bentley: blank verse La Vida es Sueño: Life is a Dream: 1959: Campbell, Roy: The Classic Theatre III: Six Spanish Plays, ed. Eric Bentley
These playwrights and many others within the United States went on to write quite successful expressionist plays including Lajos Egri's Rapid Transit (play), first premiering in 1927, [5] and Sophie Treadwell's Machinal, first premiering in 1928. [6] Expressionism in theatre and drama has also experienced success in China and Spain.
Don Juan Tenorio: Drama religioso-fantástico en dos partes (Don Juan Tenorio: Religious-Fantasy Drama in Two Parts) is a play written in 1844 by José Zorrilla. It is the more romantic of the two principal Spanish-language literary interpretations of the legend of Don Juan .
When the Philippines was colonized by the Americans in the early 20th century, the humor from the moro-moro play was added into the Philippine zarzuela, while moving away from the traditional Spanish zarzuela. The theatre afterwards was used by Filipinos to express freedom from discrimination and colonial rule, depicting the Filipino people ...