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The stones we use are of a wider variety than those usually associated with Indian jewelry. The symbols and narrative on our pieces are expansions of traditional symbols and stories.” [7] Southwest Native American art dealer and book author Martha Hopkins Lanman Struever held the first gallery show for Bird and Johnson in Chicago in 1978 ...
Wanesia Spry Misquadace (Fond du Lac Ojibwe), jeweler and birch bark biter, 2011 [1]Native American jewelry refers to items of personal adornment, whether for personal use, sale or as art; examples of which include necklaces, earrings, bracelets, rings and pins, as well as ketohs, wampum, and labrets, made by one of the Indigenous peoples of the United States.
Double stranded Zuni fetish necklace with eagle fetish in center, 40 total fetishes made from turquoise, jet, pipestone, serpentine, mother of pearl, spiny oyster shell. The fetishes are strung on fine sinew strung with olive shell and turquoise heshi (beads), with a hand-made sterling silver clasp and cones. The carver of this object is unknown.
Orville Z. Tsinnie (1943–May 23, 2017) was a Diné silversmith, jewelry maker and katsina carver from the Navajo Nation. He lived and worked in Shiprock (Navajo: Tse bit'a'i), New Mexico for most of his life.
Native American jewellery is the personal adornment, often in the forms of necklaces, earrings, bracelets, rings, pins, brooches, labrets, and more, made by the Indigenous peoples of the United States. Native American jewellery reflects the cultural diversity and history of its makers.
The Spaniards were also provided with canoes and rafts so that they could transport themselves via water. As an act of peaceful relationships, the Lady gave De Soto her pearl necklace while he gave her a gold ring with a ruby stone. De Soto promised that the king of Spain would recognize the Lady's courteous treatment. [4]
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