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Sharam Tayebi (Persian: شهرام طیبی, born August 12, 1970), [1] better known as Sharam, is an Iranian techno and house DJ and producer. Born in Tehran, Iran, he emigrated to Washington D.C. at the age of 14.
Deep house is a subgenre of house music [1] [3] [4] that originated in the 1980s, initially fusing elements of Chicago house with the lush chords of 1980s jazz-funk and touches of soul music. Its origins are attributed to the early recordings of Larry Heard (aka Mr. Fingers), including his influential track " Can You Feel It ".
In 1992, Union County's Aly-Us released its deep-house hit "Follow Me." [4] Abigail Adams's house-music record label and store Movin’ Records in Newark's neighbor East Orange was another contributor to the Jersey Sound. [5] The Jersey club scene also gave rise to the ball culture scene in Newark hotels and nightclubs. [6] "
Typical evenings combined lectures and workshops with live musical performances accompanied by live video mixing and theatre. Musical styles were diverse, and included progressive house, trance, deep house, minimal techno and dub. The club played a seminal role in promoting trance music and was the birth-place of 'psy-trance'. [5]
House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. [11] It was created by DJs and music producers from Chicago's underground club culture that consisted of Black gay men and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat.
Although rooted in Chicago house music from the 1980s, deep house further evolved by the 2000s. [18] It often features disco influences, tying it to funky house through shared characteristics like distinct basslines, rhythmic grooves, and soulful sampling techniques. However, deep house usually presents these elements in a more laid-back manner.
Around mid-2010s, outsider house developed into a new form, known as lo-fi house. [6] Producers like DJ Seinfeld, DJ Boring and Ross From Friends combined rough sounds of the parent genre with the aesthetic of melancholy, irony and postmodernism attributed to vaporwave, creating songs "resembling melancholic 1990s deep house recorded to cassette and packaged with a veneer of internet-age irony ...
Along with Kevorkian, Levan experimented with drum machines and synthesizers in his productions and live sets, ushering in an electronic, post-disco sound that presaged the ascendence of house music. He DJ'd at Club Zanzibar in the 1980s as well, home to the Jersey Sound brand of deep house or garage house. [4] [5]