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Crane's soul was heaped with bitterness and this bitterness he flung back at the theory of life which had betrayed him". [6] Elbert Hubbard, who had encouraged Crane's unusual poetry, was impressed by their unconventional structure: "The 'Lines' in The Black Riders seem to me wonderful: charged with meaning like a storage battery. But there is ...
Jesse Hilton Stuart (August 8, 1906 – February 17, 1984) was an American writer, school teacher, and school administrator who is known for his short stories, poetry, and novels as well as non-fiction autobiographical works set in central Appalachia.
In a 2008 online poll of "Top 100 Picture Books" by School Library Journal, the book ranked 35th; in a similar 2012 poll, the book ranked 89th. [7] [8] According to the publisher, over one million copies of the book had been sold by 2013. [9] The 2009 audio book version of the story received a Parents' Choice Foundation rating of "Approved". [10]
"Fee-fi-fo-fum" is the first line of a historical quatrain (or sometimes couplet) famous for its use in the classic English fairy tale "Jack and the Beanstalk".The poem, as given in Joseph Jacobs' 1890 rendition, is as follows: [1]
Reviewer Susan Avallone wrote that the collection of stories was "intriguing experimental writing" and "a strange and compelling collection of poetry and prose," uncovering "family, friends, ambition, addiction, infidelity, obsession, and life on the road." A theme provided by references to horses appeared to be "part obsession and part allegory."
One such inspirational story is one of my former Black fourth-grade students who learned the skill of performing poetry with the help of caring teachers who believed in him. Moses Lee Jones grew ...
W. C. Sellar and R. J. Yeatman parodied Browning's poem in their book Horse Nonsense as "How I Brought the Good News from Aix to Ghent (or Vice Versa)". [5]In 1889 Browning attempted to recite the poem into a phonograph at a public gathering, but forgot the words; this is the only known recording of Browning's voice.
Like many of Muldoon's recent collections, Horse Latitudes contains a long poem – in this case a sonnet sequence ostensibly describing battle scenes through time and place. The collection also features several other characteristic features of Muldoon's work, such as fixed poetic forms and deft technique combined with a seemingly casual ...