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The videos themselves had background music but no dialogue. The lack of dialogue meant that there was no language barrier on the videos, which would normally hinder worldwide distribution. The article also reported that several nearly identical channels, named Toy Monster, The Superheroes Life, and The Kids Club, had appeared on YouTube. [9]
Year Film Winners/Nominees 1998 Best Sound Editing – Direct to Video – Sound Young Hercules: Mathew Waters (supervising sound editor); Tim Boggs (supervising ADR editor); Dorian Cheah, Lisle Engle, George Haddad, Michael Mullane, Kelly Vandever (sound effects editors); Tony Suraci (Foley editor); Louis Creveling, Jason George, Danielle Ghent, Robert Jackson (dialogue editors)
Often this process is performed on films by replacing the original language to offer voiced-over translations. After sound editors edit and prepare all the necessary tracks—dialogue, automated dialogue replacement (ADR), effects, Foley, and music—the dubbing mixers proceed to balance all of the elements and record the finished soundtrack.
Dialogue editing is more accurately thought of as "production sound editing", where the editor takes the original sound recorded on the set, and using a variety of techniques, makes the dialogue more understandable, as well as smoother, so the listener doesn't hear the transitions from shot to shot (often the background sounds underneath the ...
This applies to television, cinema and commercials. One major aspect of audio post-production is the use of automatic dialogue replacement (ADR). Sometimes the original production audio lacks in performance or quality, and one or more actors work in a sound studio to record some or all of their dialogue from the project.
Large productions may have an ADR editor working under the dialogue editor, but the positions are often combined. The ADR editor or dialogue editor also work with the walla group in films which they are required, providing the background chatter noise in scenes with large crowds, such as parties or restaurants. [1] [2]
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