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The ES stands for Electric Spanish, and Gibson designated it "150" because they priced it (in an instrument/amplifier/cable bundle) at around $150 (equivalent to $3,300 in 2023). The particular sound of the instrument came from a combination of the specific bar-style pickup and its placement, and the guitar's overall construction.
The Gibson ES series of semi-acoustic guitars (hollow body electric guitars) are manufactured by the Gibson Guitar Corporation. The letters ES stand for Electric Spanish , to distinguish them from Hawaiian-style lap steel guitars which are played flat on the lap.
Gibson ES-150 guitar (sunburst finish, with dot inlays on the fingerboard), and EH-150 amplifier, 1937 or 1939 – April 1940 [30] Gibson ES-250 guitar (custom built by Gibson with a natural finish, a Super 400 tailpiece, and bowtie inlays on the fingerboard), April 1940 – February 1941. This instrument was re-discovered in 2002.
Patt's Gibson ES-150 was modified by Vincent "Jimmy" DiSerio cerca 1965. [21] Luthier Saul Koll modified a sequence of guitars: a 1938 Gibson Cromwell, a Sears Silvertone, a cerca 1922 Mango archtop, a 1951 Gibson L-50, and a 1932 Epiphone Broadway; for Koll's modifications, custom pick-ups by Bill Lawrence accommodated the wide necks and high ...
The Gibson ES-250 was the second edition of the Gibson ES-150 amplified guitar, [1] though released in several different versions. It had 17" body width and a 21" body length. It had a curly maple back and a spruce top with a maple neck and rosewood fingerboard. It was used in combination with the Gibson EH-185 and EH-275 amplifier.
The Gibson ES-125 is an ... Introduced in 1941 as the successor to the ES-100, ... When reintroduced in 1946 it had the larger 16.25" wide body that the ES-150 had.
Gibson's first production electric guitar, marketed in 1936, was the ES-150 model ("ES" for "Electric Spanish", and "150" reflecting the $150 price of the instrument, along with matching amplifier). The ES-150 guitar featured a single-coil, hexagonally shaped "bar" pickup, which was designed by Walt Fuller.
Barnard also used a Gibson ES-150 from time to time but it was the Epiphone that was to become his main instrument as he developed his style and modified his equipment to match it. The guitar was first electrified by Junior when he added a DeArmond pickup to neck position.
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