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Peek-a-Boo" was rated "Single of the Week" in both Sounds and NME. Sounds wrote that it was a "brave move", "playful and mysterious". [3] NME described it as "Oriental marching band hip hop" with "catchy accordion." They then said : "If this nation was served by anything approaching a decent pop radio station, "Peek A Boo" would be a huge hit." [4]
The Best of Siouxsie and the Banshees was released on 12 November 2002. It was issued in three editions; single disc, double CD and Sound & Vision double CD + DVD (the latter version was released in 2004 and re-issued on 1 October 2007).
2004 The Best of Siouxsie and the Banshees, Sound & Vision edition, (bonus DVD that includes music videos for all the featured songs on the main disc excluding "Dizzy"). 2006 Nocturne (remastered version of the 1983 concerts, omitting "Paradise Place", "Dear Prudence", "Slowdive" and "Happy House")
Downside Up is a four-disc box set collecting B-sides and bonus material from the catalogue of Siouxsie and the Banshees.Also included (on disc four) is The Thorn EP, originally released in 1984.
Music journalist Parke Puterbaugh described "Peek-a-Boo" as a "collage of sound that incorporates a backward percussion track" with the voice bouncing from channel to channel. " The Killing Jar " opens with "a faint splash of reggae " and then the music dissolves into a trancelike drone in the style of Brian Eno .
Dreamshow is a live DVD by Siouxsie, released in 2005.It was filmed at the Royal Festival Hall in London in October 2004. The songs are performed on stage with the Millennia Ensemble orchestra.
(The albums shared nine tracks; the US version dropped three tracks and added two others). Both albums contained the single "Peek-A-Boo", which made the Billboard chart that February and reached No. 7 in the UK Singles Chart. The line-up fluctuated somewhat around this time, as Chris Eedy (on bass and tuba) replaced Korner, and trombonist Watts ...
However, she cited "Peek-a-Boo!" and "That's Good" as the album's sole highlights, adding, "it's getting harder to take the whole Devo package—the dumbbell retrograde-evolution philosophy and all the promotional merchandise. [12] Trouser Press felt the album was "pointlessly produced by Roy Thomas Baker" and "failed to slow the creative slide."