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Violin Solo Sonata No. 1 (1940) -dedicated to Ruggiero Ricci- (I. Praeludium con bravura; II. Cantabile; III. Allegro) Philip Glass "Strung Out", for solo amplified violin (1967) "Knee Play 2", violin solo from Einstein On The Beach; Partita for solo violin (2010/11) -dedicated to Tim Fain- (I. Opening; II. Dance 1; III.
List of solo violin pieces; B. Sonatas and Partitas for Solo Violin (Bach) Partita for Violin No. 1 (Bach) Partita for Violin No. 2 (Bach) Partita for Violin No. 3 ...
Three Pieces for violin and orchestra, Op. 65 (1948) Philip Glass. Echorus for two violins and string orchestra (1995) Alexander Glazunov. Mazurka-Oberek in D major, Op. 100b (1917) Lou Harrison. Koncherto for violin and percussion ensemble (1959) Music for Violin and Various Instruments, European, Asian, and African (1967–69)
Violin (original version for solo violin) 60 Variations on the Genoese folksong "Barucabà" (Part I: Tema in A major, with 20 Var. - Part II: Tema in C major, with 20 Var. - Part III: Tema in D major, with 20 Var.) 1835: 14: 71b: Variazioni sul Barucabà (Barucaba variations) Violin / Guitar
Kreisleriana, concert piece for violin and chamber orchestra (1993) (withdrawn) [5] Fantasie for Solo Clarinet (1993) 180 beats per minute for string sextet (1993) Études I-VI for violin solo (1995–2010) Fleurs du mal, a piano sonata (1996–97) Insel der Sirenen (Island of the Sirens) for solo violin and 19 strings (1997)
original for violin solo Caprice No. 20 in D major: 1913: original for violin solo Caprice No. 24 in A minor: 1913: original for violin solo Moto Perpetuo in C major, Op. 11 original for violin and orchestra Le Streghe (The Witches' Dance), Op. 8 original for violin and orchestra Theme and Variations: I Palpiti, Op. 13 original for violin and ...
12 Sonatas for recorder or violin solo and basso (no opus number, dedicated to Prince Friedrich August, before 1716, unpublished in the composer's lifetime) 12 Sonatas for violin solo and basso, Op. 1 (dedicated to Prince Friedrich August, 1721) 12 Sonate Accademiche for violin solo and basso, Op. 2 (1744) Dissertazioni del Sigr.
The Sei Solo a Violino senza Basso accompagnato (Six Solos for Violin Without Bass Accompaniment), as Bach titled them, firmly established the technical capability of the violin as a solo instrument. The pieces often served as archetypes for solo violin pieces by later generations of composers, including Eugène Ysaÿe and Béla Bartók.