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Popular Music reviewed the work, commenting that although the book had weak notes it was still a "worthwhile venture". [4] The ARSC Journal also wrote a review, noting that Radiohead's members "are averse to any sort of intellectualizing of their music" and that "If, in the end, what Radiohead does is "pure escapism," as drummer Phil Selway deems, then this book deconstructs not only that ...
Abingdon School, where the band formed. The members of Radiohead met while attending Abingdon School, a private school for boys in Abingdon, Oxfordshire. [2] The guitarist and singer Thom Yorke and the bassist Colin Greenwood were in the same year; the guitarist Ed O'Brien was one year above, and the drummer Philip Selway was in the year above O'Brien. [3]
Speaking at Radiohead's induction to the Rock and Roll Hall of Fame 2019, David Byrne of Talking Heads, one of Radiohead's formative influences, said: "What was really weird and very encouraging was that [Kid A] was popular. It was a hit! It proved to me that the artistic risk paid off and music fans sometimes are not stupid."
The lasting influence of Radiohead’s daring leap into ambience, electronica, krautrock and jazz is tangible in the alternative experimentalism of the past 10 years or so – in Black Country ...
It influenced a generation of British and Irish alternative rock acts; [47] [48] The Observer wrote that it popularised an "angst-laden falsetto" which "eventually coalesced into an entire decade of sound". [49] The American rock band R.E.M., a major influence on Radiohead, picked them as their support act for their European tour. [50]
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Radiohead's albums Kid A (2000) and Amnesiac (2001) marked a dramatic change in sound, incorporating influences from electronica, classical music, jazz and krautrock. [33] Greenwood employed a modular synthesiser to build the drum machine rhythm of " Idioteque ", [ 34 ] [ 35 ] and played ondes Martenot , an early electronic instrument similar ...
[41] [46] [50] The orchestration was influenced by Penderecki, [55] who, like Messiaen, is an influence on Greenwood. [56] According to Godrich, when Greenwood introduced his score to the orchestra members, "they all just sort of burst into giggles, because they couldn't do what he'd written, because it was impossible — or impossible for them ...