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Wallace Beery in the silent films Robin Hood (1922), with Douglas Fairbanks as Robin, and Richard the Lion-Hearted (1923), based on The Talisman; S. J. Bingham in the silent Robin Hood, Jr. (1923) Henry Wilcoxon in Cecil B. DeMille's The Crusades (1935) Ian Hunter in The Adventures of Robin Hood (1938), with Errol Flynn as Robin
The first clear reference to "rhymes of Robin Hood" is from the alliterative poem Piers Plowman, thought to have been composed in the 1370s, followed shortly afterwards by a quotation of a later common proverb, [5] "many men speak of Robin Hood and never shot his bow", [6] in Friar Daw's Reply (c. 1402) [7] and a complaint in Dives and Pauper ...
The Story of Robin Hood and His Merry Men by John Finnemore (1863–1915), 1909. Bold Robin Hood and His Outlaw Band by Louis Rhead, 1912. Robin Hood by Henry Gilbert, 1912. Robin Hood by Paul Creswick (1866–1947), 1917. Robin Hood and His Merry Men by Sara Hawks Sterling, 1921. Robin Hood and His Merry Men by E. C. Vivian, 1927.
Robin Hood's Medieval Faire [10] Connecticut: Fairgrounds, Connecticut; semi-permanent Nottingham Forest, England (c.476 – 1400 AD); Robin Hood; cosplay; fantasy elements: 2010 5 stages; pets week (05b) mid-May–July (6 weekends) unk (2013) [11] Robin Hoods Faire: Florida Renaissance Festival – Deerfield Beach Florida: Quiet Waters Park ...
Later hennins featured a turned-back brim, or were worn over a hood with a turned-back brim. [29] [30] Towards the end of the 15th century women's head-dresses became smaller, more convenient, and less picturesque. The gable hood, a stiff and elaborate head-dress, emerged around 1480 and was popular among elder ladies up until the mid-16th ...
The Noble Fisherman, also known as Robin Hood's Preferment and Robin Hood's Fishing, is a 17th-century ballad of Robin Hood. Unusually, it depicts Robin Hood as a hero of the sea, rather than his usual portrayal as someone who operated in the greenwood forest. It seems to have been quite popular for the first two centuries of its existence ...
By the medieval period, the mummers' plays had developed, a form of early street theatre associated with the Morris dance, concentrating on themes such as Saint George and the Dragon and Robin Hood. These were folk tales re-telling old stories, and the actors travelled from town to town performing these for their audiences in return for money ...
In an unusual Robin Hood ballad Robin Hood and the Prince of Aragon (Child ballad 129), Robin, Little John, and Will Scarlet come to the king's rescue, fighting the prince of the title and two giants, and ending with Will marrying the princess; this ballad, unlike the other Child ballads, is seldom used in later adaptations.
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