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In the traditional photochemical post-production workflow, release prints are usually copies, made using a high-speed continuous contact optical printer, [5] of an internegative (sometimes referred to as a 'dupe negative'), which in turn is a copy of an interpositive (these were sometimes referred to as 'lavender prints' in the past, due to the slightly colored base of the otherwise black-and ...
Kodacolor II – 35mm-film for colour prints. In still photography, Kodak's Kodacolor brand has been associated with various color negative films (i.e., films that produce negatives for making color prints on paper) since 1942. Kodak claims that Kodacolor was "the world's first true color negative film". [1]
Color print film is used to produce color photographic prints, which date to the early 20th century. Initially a two-color process, it became three-color, more accurate, and more durable with the 1935 introduction of Eastman Kodak’s Company’s Kodachrome film, followed a year later Agfa Company’s Agfacolor . [ 1 ]
Properly performed contact printing generally creates less degradation provided that the contact between the negative and the print film is perfect. Optical printing can emphasize the grain structure and any imperfections in the negative. [13] Also, since a new, different piece of film was exposed and printed, matching the exact colors of the ...
A common workflow for film editing involves edge-coding printed film simultaneously with the film's synchronized audio track, on 35mm magnetic film, so that a foot of film and its synchronized audio have identical edge numbers. Eastman Kodak began using latent image edge numbering on their manufactured 35mm raw film stocks in 1919. [1] [2]
Film is then dried in a dust-free environment, cut and placed into protective sleeves. Once the film is processed, it is then referred to as a negative. The negative may now be printed; the negative is placed in an enlarger and projected onto a sheet of photographic paper. Many different techniques can be used during the enlargement process.
Negatives were once commonly made on a thin sheet of glass rather than a plastic film, and some of the earliest negatives were made on paper. [4] Transparent positive prints can be made by printing a negative onto special positive film, as is done to make traditional motion picture film prints for use in theaters.
A contact print is a photographic image produced from film; sometimes from a film negative, and sometimes from a film positive or paper negative. In a darkroom an exposed and developed piece of film or photographic paper is placed emulsion side down, in contact with a piece of photographic paper, light is briefly shone through the negative or ...
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