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1960s decor. A typical example of 1960s wallpaper. Note the pea green and saffron colours and the flowery psychedelic design, common during this period. 1960s décor refers to a distinct style of interior decoration that became prominent in the 1960s and early 1970s. Green, (such as pea green and drab), yellow, pink, and orange (such as peach ...
Wallpaper is used in interior decoration to cover the interior walls of domestic and public buildings. It is usually sold in rolls and is applied onto a wall using wallpaper paste . Wallpapers can come plain as "lining paper" to help cover uneven surfaces and minor wall defects, "textured", plain with a regular repeating pattern design, or with ...
William Morris wallpaper designs. The British literary figure and designer William Morris (1834-1896), a founder of the British Arts and Crafts Movement, was especially known for his wallpaper designs. These were created for the firm he founded with his partners in 1861, Morris, Marshall, Faulkner and Company, and later for Morris and Company.
Victorian decorative arts refers to the style of decorative arts during the Victorian era. Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture ...
The majority of the wallpapers held here were intended for the mass market, not for ‘high-end’ consumers, and could therefore be seen as a barometer of British taste over a long period. The majority of items from the Crown Wallpaper collection were divided between the Whitworth Art Gallery and Sanderson Design Group when the museum closed.
Charles Francis Annesley Voysey FRIBA RDI [2] (28 May 1857 – 12 February 1941) was an English architect and furniture and textile designer.Voysey's early work was as a designer of wallpapers, fabrics and furnishings in a Arts and Crafts style and he made important contribution to the Modern Style (British Art Nouveau style), and was recognized by the seminal The Studio magazine. [3]
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