Search results
Results from the WOW.Com Content Network
"Imagine" is a song by the English rock musician John Lennon from his 1971 album of the same name. The best-selling single of his solo career, the lyrics encourage listeners to imagine a world of peace, without materialism, without borders separating nations and without religion.
Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key... if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.
"Ashes to Ashes" is a song by the English singer-songwriter David Bowie from his 14th studio album, Scary Monsters (and Super Creeps) (1980). Co-produced by Bowie and Tony Visconti, it was recorded from February to April 1980 in New York and London and features guitar synthesiser played by Chuck Hammer.
Why orange juice is so expensive. U.S. orange production has plummeted as the industry faces volatile threats from extreme weather events, an incurable disease and economic pressures. Citrus ...
Minor chord. In music theory, a minor chord is a chord that has a root, a minor third, and a perfect fifth. [ 2] When a chord comprises only these three notes, it is called a minor triad. For example, the minor triad built on A, called an A minor triad, has pitches A–C–E: A minor triad has a minor third (m3) on the bottom, a major third (M3 ...
In the Classical period, symphonies in G minor almost always used four horns, two in G and two in B ♭ alto. [2] Another convention of G minor symphonies observed in Mozart's No. 25 and Mozart's No. 40 was the choice of E-flat major , the subdominant of the relative major B ♭ , for the slow movement, with other examples including Joseph ...
Robert Huw Morgan plays Bach's Fantasia and Fugue in G minor on the Fisk-Nanney organ at the Stanford Memorial Church in Stanford, California. The Great Fantasia and Fugue in G minor, BWV 542, is an organ prelude and fugue by Johann Sebastian Bach. It acquired that name to distinguish it from the earlier Little Fugue in G minor, which is shorter.
Measures 2 and 3 Measures 1–9 expand on the march theme. Following a cadence in the dominant, the section repeats in measures 10–16 with slight alterations and concludes in a G minor perfect cadence. The "B" subsection of the Alla marcia section (measures 17–24) mirrors the rhythm of the first measure, presenting a sequence of related chords beginning with E ♭. Measures 17 and 18 In ...