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The 1975 is the debut studio album by English band the 1975. It was released on 2 September 2013 through Dirty Hit and Polydor. [3] It was produced by band members Matty Healy and George Daniel together with Mike Crossey. [4] Between Autumn 2012 and Spring 2013, during which time the album was recorded, the band released four EPs. They toured ...
The band's eponymous debut album, The 1975 (2013), debuted at number one on the UK Albums Chart and was certified Platinum by the British Phonographic Industry. Its follow-up, I Like It When You Sleep, for You Are So Beautiful yet So Unaware of It , was released on 26 February 2016 and became their second successive chart topper.
The album's third single, "The Sound" debuted on BBC Radio 1 on 14 January 2016. [55] The 1975 released the fourth single "Somebody Else" on 15 February on Beats 1 [56] before the album's release. "A Change of Heart" premiered on Radio 1 on 22 February, four days prior to the album's release.
US Billboard 1975 #178, US Hot100 #23 for 2 weeks, 11 total weeks, Top Rock 1975 #1, Grammy Hall of Fame 2003, National Recording Registry 2003, from album "Born to Run"-Columbia 33795, Grammy Hall of Fame 2003.
1975 live albums (105 P) S. 1975 soundtrack albums (15 P) Pages in category "1975 albums" The following 200 pages are in this category, out of approximately 879 total.
Being Funny in a Foreign Language is the fifth studio album by English band the 1975.It was released on 14 October 2022 by Dirty Hit. [7] The album was recorded primarily at Real World Studios in Wiltshire.
This list shows albums that peaked in the Top 10 of the UK Albums Chart during 1975, as well as albums which peaked in 1974 and 1976 but were in the top 10 in 1975. The entry date is when the album appeared in the top ten for the first time (week ending, as published by the Official Charts Company, which is six days after the chart is announced).
The 1975 and Crossey spent a week in the band's studio engaging in pre-production for The 1975 (2013); they spent time listening to records together and discussed the desired aesthetics of the album. Crossey said it was critical to develop a sonic palette with a distinct character and "fingerprint" which could be "immediately" attributable to ...