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Alcmaeon in Corinth (Ancient Greek: Ἀλκμαίων ὁ διὰ Κορίνθου, Alkmaiōn ho dia Korinthou; also known as Alcmaeon at Corinth, Alcmaeon) is a play by Greek dramatist Euripides. It was first produced posthumously at the Dionysia in Athens, most likely in 405 BCE, in a trilogy with The Bacchae and Iphigenia in Aulis .
Euripides' retelling of this myth is a radical step forward among the Greek tragedies: while in other plays of classical Athens individuals often rail against the disasters that the Fates or the gods have caused to befall them, in this powerful play both Creusa and Ion actually challenge whether the gods have any right to govern the destinies ...
Cyclops (Ancient Greek: Κύκλωψ, Kyklōps) is an ancient Greek satyr play by Euripides, based closely on an episode from the Odyssey. [1] It is likely to have been the fourth part of a tetralogy presented by Euripides in a dramatic festival in 5th Century BC Athens, although its intended and actual performance contexts are unknown. [2]
Euripides has been hailed as a great lyric poet. [66] In Medea, for example, he composed for his city, Athens, "the noblest of her songs of praise". [67] His lyrical skills are not just confined to individual poems: "A play of Euripides is a musical whole...one song echoes motifs from the preceding song, while introducing new ones."
The Bacchae (/ ˈ b æ k iː /; Ancient Greek: Βάκχαι, Bakkhai; also known as The Bacchantes / ˈ b æ k ə n t s, b ə ˈ k æ n t s,-ˈ k ɑː n t s /) is an ancient Greek tragedy, written by the Athenian playwright Euripides during his final years in Macedonia, at the court of Archelaus I of Macedon.
Helen (Ancient Greek: Ἑλένη, Helénē) is a drama by Euripides about Helen, first produced in 412 BC for the Dionysia in a trilogy that also contained Euripides' lost Andromeda. The play has much in common with Iphigenia in Tauris , which is believed to have been performed around the same time period.
Rhesus (Ancient Greek: Ῥῆσος, Rhēsos) is an Athenian tragedy that belongs to the transmitted plays of Euripides.Its authorship has been disputed since antiquity, [1] and the issue has invested modern scholarship since the 17th century when the play's authenticity was challenged, first by Joseph Scaliger and subsequently by others, partly on aesthetic grounds and partly on account of ...
Ambiguity: Euripides' play Heracles asks more questions than it answers. Nowhere is this more apparent than in the topic of faith. During Euripides' time, though most Greeks, like Euripides' Theseus, would have been believers, there is a strain of thinkers who questioned traditional religion and the existence of the gods, much as Heracles does in the play.