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Most earlier analysis systems required specific test signals sent through the sound system, ones that would be unpleasant for the audience to hear. Smaart is a source-independent analyzer and therefore will work effectively with a variety of test signals including speech or music.
In balanced audio systems, there are equal and opposite signals (difference-mode) in inputs, and any interference imposed on both leads will be subtracted, canceling out that interference (i.e., the common-mode). CMRR is a measure of a system's ability to ignore such interference and especially hum at its input.
Audio engineers use dynamic range to describe the ratio of the amplitude of the loudest possible undistorted signal to the noise floor, say of a microphone or loudspeaker. [18] Dynamic range is therefore the signal-to-noise ratio (SNR) for the case where the signal is the loudest possible for the system. For example, if the ceiling of a device ...
Sound power or acoustic power is the rate at which sound energy is emitted, reflected, transmitted or received, per unit time. [1] It is defined [2] as "through a surface, the product of the sound pressure, and the component of the particle velocity, at a point on the surface in the direction normal to the surface, integrated over that surface."
Peak-to-peak amplitude (abbreviated p–p or PtP or PtoP) is the change between peak (highest amplitude value) and trough (lowest amplitude value, which can be negative). With appropriate circuitry, peak-to-peak amplitudes of electric oscillations can be measured by meters or by viewing the waveform on an oscilloscope .
Clipping of a digital waveform. The red lines indicate full scale, and the waveform is shown before and after hard clipping (grey and black outlines respectively). Decibels relative to full scale (dBFS or dB FS) is a unit of measurement for amplitude levels in digital systems, such as pulse-code modulation (PCM), which have a defined maximum ...
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Audio system measurements (Audio IMD) include SMPTE standard RP120-1994 [6] where two signals (at 60 Hz and 7 kHz, with 4:1 amplitude ratios) are used for the test; many other standards (such as DIN, CCIF) use other frequencies and amplitude ratios.