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The rod, perch, or pole (sometimes also lug) is a surveyor's tool [1] and unit of length of various historical definitions. In British imperial and US customary units, it is defined as 16 + 1 ⁄ 2 feet, equal to exactly 1 ⁄ 320 of a mile, or 5 + 1 ⁄ 2 yards (a quarter of a surveyor's chain), and is exactly 5.0292 meters.
Tymoczko sought to discuss "music that is neither classically tonal nor completely atonal" (see chromaticism and nonchord tones). [7] He observed that a macroharmony of between five and eight pitch classes, or a limited macroharmony, typically contributed to a sense of tonality . [ 8 ]
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
Thus a single pitch class n in the pitch class set is represented by 2^n. This maps the entire power set of all pitch class sets in 12-TET to the numbers 0 to 4095. The binary digits read as ascending pitches from right to left, which some find discombobulating because they are used to low to high reading left to right, as on a piano keyboard.
Urlinie in relation to the tonic triad. The fundamental line (German: Urlinie) is the melodic aspect of the Fundamental structure (), "a stepwise descent from one of the triad notes to the tonic" with the bass arpeggiation being the harmonic aspect. [3]
In music theory, a trichord (/ t r aɪ k ɔːr d /) is a group of three different pitch classes found within a larger group. [2] A trichord is a contiguous three-note set from a musical scale [3] or a twelve-tone row. In musical set theory there are twelve trichords given inversional equivalency, and, without inversional equivalency, nineteen ...
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Alexander Rehding is Fanny Peabody Professor of Music at Harvard University. [1] [2] Rehding is a music theorist and musicologist with a focus on intellectual history and media theory, known for innovative interdisciplinary work.
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