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This is an accepted version of this page This is the latest accepted revision, reviewed on 16 December 2024. Cultural belief of 19th-century American expansionists For other uses, see Manifest Destiny (disambiguation). American Progress (1872) by John Gast is an allegorical representation of the modernization of the new west. Columbia, a personification of the United States, is shown leading ...
American Progress, a painting of profound historical significance, has become a seminal example of American Western Art.Serving as an allegory for manifest destiny and American westward expansion, this 11.50 by 15.75 inches (29.2 cm × 40.0 cm) masterpiece was commissioned in 1872 by George Crofutt, a publisher of American Western travel guides and has since been frequently reproduced.
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The Jacksonians favored expansion across the continent, known as manifest destiny, dispossessing American Indians of lands to be occupied by farmers, planters, and slaveholders. Thanks to the annexation of Texas , the defeat of Mexico in war, and a compromise with Britain, the western third of the nation rounded out the continental United ...
Deborah Madsen argued that the effects of American exceptionalism have changed over time, from the annexation of Native American lands then to the ideas of Manifest destiny (which encompassed the Mexican–American War and the purchases of land in the 19th century).
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It was a controversial aspect of Manifest Destiny that was unable to garner enough political support to encourage adoption. The Mexican-American War (1846–1848) brought the United States and Mexico into conflict over various geopolitical issues, including a desire to invade and annex much of Mexico, that resulted in victory for the United States.
Furthermore, white Southerners looked upon the North and Britain as soulless industrial societies with little culture. Whereas the North was dirty, dangerous, industrial, fast-paced, and greedy, pro-slavery proponents believed that the South was civilized, stable, orderly, and moved at a 'human pace.'