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Sambandar (Wooden Image), ASI Museum, Vellore The pilgrimage to temples, associated devotional singing with music, and other rituals started by Sambandar have thrived over the centuries. In contemporary Tamil Shiva temples, Odhuvars , Sthanikars , or Kattalaiyars offer musical programmes in Shiva temples of Tamil Nadu by singing Tevaram after ...
Three different forms of Shiva are worshipped here, the Shivalingam (Bhrammapureeswarar), a colossal image of Uma Maheswarar (Toniappar) at the medium level, and Bhairavar (Sattanathar) at the upper level. The temple is associated with the legend of child Sambandar who is believed to have been fed by Parvathi on the
According to legend, saint Thirugnana Sambandar was singing verses praising Shiva at the nearby site and Shiva was mesmerized by the devotion. The temple deity thus came to be known as Urugeswarar ( urugu means mesmerize in Tamil and the image of the Sambandar is located in Urugeswarar temple axially outside the temple facing the Metraleeswar ...
After the wedding, Sambandar, his bride and the wedding party went the Shivaloka Thyagar temple of Shiva, in Thirumana Nallur. Sambandar prayed to Shiva, seeking salvation. Shiva appeared as a blazing flame and granted his wish. Then Sambandar, his bride and all the wedding guests, including Tiruneelanakka Nayanar merged in the Light of Shiva ...
As per Hindu legend, Jainism was the most prominent religion in the region. Sambandar challenged the Jainist scholars to compete against him. As per the rules of the competition, the scholars had to write their verses in palm leaf, float them in the river and the winner is decided when the leaf floated, while the lower work sunk.
Appar largely stayed at Atikai with his sister before visiting other Shiva temples to sing in praise of Shiva. He heard of Sambandar and went to Sirkali to meet him. Sambandar respectfully addressed Navukkarasar as Appar (father) and he and Appar travelled together singing hymns. Appar is said to have traveled to about a hundred and twenty-five ...
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