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The Nothing but Love World Tour was the ninth and final concert tour by American recording artist Whitney Houston. [2] It was her first major tour in almost a decade and was used to promote her seventh studio album I Look to You released in 2009.
Whitney Houston, Tina Turner, Cher, Brandy and Faith Hill top the bill for this concert special staged by VH1 which pays tribute to the women of pop music. [ 55 ] The show benefited VH1 Save the Music , a pro-social initiative that supports music education in public schools.
The Greatest Love World Tour was the debut worldwide concert tour by American singer Whitney Houston, in support of her debut studio album Whitney Houston.The four-month tour began in North America on July 26, 1986 at the Merriweather Post Pavilion with an itinerary that included visits in Europe, Japan and Australia.
Whitney – The Concert for a New South Africa (alternately titled Whitney Houston – Live in South Africa, Whitney Houston – Concert for South Africa) was the title of three concerts which American singer Whitney Houston performed in South Africa to honor President Nelson Mandela in November 1994. [1]
Classic Whitney: Live from Washington, D.C., were live concerts by Whitney Houston. The concerts were held at historic DAR Constitution Hall in Washington D.C., on October 3 and 5, 1997. The second-night concert was broadcast live via HBO, which was her third HBO special after Welcome Home Heroes with Whitney Houston in March 1991 and Whitney ...
More fans will soon get to witness the boundary-breaking concerts of Whitney Houston's hologram. Skip to main content. Sign in. Mail. 24/7 Help. For premium support please call: 800-290-4726 more ...
One of Whitney Houston's most memorable concerts is getting the big-screen treatment.. The late singer put on a series of three historic shows in South Africa in 1994, and to mark the 30th ...
Whitney Houston Live: Her Greatest Performances received generally positive reviews from music critics. Giving it 5 stars, Jim Farber of the New York Daily News, praised the album saying, 'The recordings here—with their odd echoes, imperfect playing, and wavering ambiences—show that Houston performed even better without a net than with one.