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Patterns in nature are visible regularities of form found in the natural world. These patterns recur in different contexts and can sometimes be modelled mathematically . Natural patterns include symmetries , trees , spirals , meanders , waves , foams , tessellations , cracks and stripes. [ 1 ]
Satellite photograph of a mesa in the Cydonia region of Mars, often called the "Face on Mars" and cited as evidence of extraterrestrial habitation. Pareidolia (/ ˌ p ær ɪ ˈ d oʊ l i ə, ˌ p ɛər-/; [1] also US: / ˌ p ɛər aɪ-/) [2] is the tendency for perception to impose a meaningful interpretation on a nebulous stimulus, usually visual, so that one detects an object, pattern, or ...
Music denoting place can “preform” a knowledge of social boundaries and hierarchies that people use to negotiate and understand the identities of themselves and others and their relation to place. Examples of music’s role in defining a sense of place include ethnomusicologist George Lipsitz’s research on the performance of Mexican ...
On the inner surface of the cylinder is a band with images from a set of sequenced pictures. As the cylinder spins, the user looks through the cuts at the pictures across. The scanning of the slits keeps the pictures from simply blurring together, and the user sees a rapid succession of images, producing the illusion of motion.
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An object's identity may also be destroyed if the simplest description of the system at a point in time changes from identifying the object to not identifying it. Also an object's identity is created at the first point in time that the simplest model of the system consistent with perception identifies it. An object may be composed of components.
Tangible symbols are a type of augmentative and alternative communication (AAC) that uses objects or pictures that share a perceptual relationship with the items they represent as symbols. A tangible symbol's relation to the item it represents is perceptually obvious and concrete – the visual or tactile properties of the symbol resemble the ...
Examples of well-known assumptions, based on visual experience, are: light comes from above; objects are normally not viewed from below; faces are seen (and recognized) upright; [14] closer objects can block the view of more distant objects, but not vice versa; and; figures (i.e., foreground objects) tend to have convex borders.