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California Dreamin '" is a song written by John and Michelle Phillips in 1963 and first recorded by Barry McGuire. [5] The best-known version is by the Mamas & the Papas, who sang backup on the original version and released it as a single in December 1965. The lyrics express the narrator's longing for the warmth of Los Angeles during a cold ...
At the 19th Grammy Awards ceremony in 1977, "Afternoon Delight" received three nominations for recordings from 1976. It won the Grammy Award for Best Arrangement for Voices [9] and was also nominated for Best Pop Performance by a Duo or Group with Vocals and Song of the Year. In 2010, Billboard named "Afternoon Delight" the 20th sexiest song of ...
In the song, she expresses the depth of her longing for California despite considering herself a member of the counterculture. [2] Like "Carey", "California" takes the form of a travelogue, and uses a stream of consciousness narrative technique. [3] [4] Pitchfork critic Jessica Hopper describes both songs as "how-Joni-got-her-groove-back ...
In 1984, Julio Iglesias re-worked the song as "Moonlight Lady" for his concept album 1100 Bel Air Place, with the original song on which it is based used as an uncredited reprise at the end of the track. In 1989, Hammond re-recorded the song for his Best of Me greatest hits compilation. [3]
California Government Code section 421.7 states, "I Love You, California", a song published in 1913 with lyrics by F.B. Silverwood and music by A.F. Frankenstein, is an official state song." [8] In 1987, "I Love You, California" became the official state song by law. [9]
Hearing the Kingsmen version on a car radio sparks an extended debate among the three Libner brothers (Patrick Dempsey, Arye Gross, Daniel Stern) about the lyrics and whether it is a "hump song", a "dance song", or a "sea chanty" with the eldest and most worldly brother arguing for the last interpretation.
Don Henley never gave away handwritten pages of draft lyrics to “Hotel California” and other Eagles hits, he said Monday, calling them “very personal" in testimony that also delved into an ...
The song is one of the best-known recordings by the band, and in 1998 its long guitar coda was voted the best guitar solo of all time by readers of Guitarist. [2] [8] The song was awarded the Grammy Award for Record of the Year in 1978. [9] The meaning of the lyrics of the song has been discussed by fans and critics ever since its release.
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