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This is an outline of commentaries and commentators.Discussed are the salient points of Jewish, patristic, medieval, and modern commentaries on the Bible. The article includes discussion of the Targums, Mishna, and Talmuds, which are not regarded as Bible commentaries in the modern sense of the word, but which provide the foundation for later commentary.
Song of Songs 6 (abbreviated [where?] as Song 6) is the sixth chapter of the Song of Songs in the Hebrew Bible or the Old Testament of the Christian Bible. [1] [2] This book is one of the Five Megillot, a collection of short books, together with Ruth, Lamentations, Ecclesiastes and Esther, within the Ketuvim, the third and the last part of the Hebrew Bible. [3]
Originally based on the AV/KJV, with Greek and Hebrew transliterated and explained, the series is being rewritten based on the RSV or NIV (at the individual author's discretion), and space is being assigned more equitably. Several of the volumes of this new edition are, within the constraints of the series, outstanding (e.g., Marshall on Acts).
The exclusive use of the King James Version is recorded in a statement made by the Tennessee Association of Baptists in 1817, stating "We believe that any person, either in a public or private capacity who would adhere to, or propagate any alteration of the New Testament contrary to that already translated by order of King James the 1st, that is now in common in use, ought not to be encouraged ...
Parallel Bible reading from 2 sources; Commentaries: Darby's New Testament, The Fourfold Gospel, Geneva Study Bible, John Gill's Exposition of the Bible, Commentary Critical and Explanatory on the Whole Bible (Robert Jamieson, A. R. Fausset and David Brown), Matthew Henry Commentary on the Whole Bible, People's New Testament, Robertson's Word ...
Scott's Commentary On The Whole Bible originally appeared in 174 weekly numbers starting in January 1788, and went into multiple editions. By the time of his death in 1821 nearly £200,000 worth of copies had been sold in England and America (where it was particularly popular), but Scott made only £1,000 profit from the work, having sold the ...
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