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[[Category:Art movement and genre templates]] to the <includeonly> section at the bottom of that page. Otherwise, add <noinclude>[[Category:Art movement and genre templates]]</noinclude> to the end of the template code, making sure it starts on the same line as the code's last character.
This is a list of art movements in alphabetical order. These terms, helpful for curricula or anthologies , evolved over time to group artists who are often loosely related. Some of these movements were defined by the members themselves, while other terms emerged decades or centuries after the periods in question.
An art movement is a tendency or style in the visual arts with a specific common stylistic approach, philosophy or goal, followed by a group of artists during a restricted period of time. See also: Category:Art by period of creation
Visual arts – class of art forms, including painting, sculpture, photography, printmaking and others, that focus on the creation of works which are primarily visual in nature. Visual Arts that produce three-dimensional objects, such as sculpture and architecture , are known as plastic arts .
Panoramic photography; Paris in Motion (photography) Photo op; Photobiography; Photobombing; Photography by Indigenous peoples of the Americas; Photojournalism; Photovoice; Photowalking; Pictorialism; Polaroid art; Portrait photography; Post-mortem photography
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years.
John's Diner with John's Chevelle, 2007 John Baeder, oil on canvas, 30×48 inches. Photorealism is a genre of art that encompasses painting, drawing and other graphic media, in which an artist studies a photograph and then attempts to reproduce the image as realistically as possible in another medium.
Pictorialism is an international style and aesthetic movement that dominated photography during the later 19th and early 20th centuries. There is no standard definition of the term, but in general it refers to a style in which the photographer has somehow manipulated what would otherwise be a straightforward photograph as a means of creating an image rather than simply recording it.