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George Frideric Handel was the house composer at Cannons from August 1717 until February 1719. [1] The Chandos Anthems and other important works by Handel were conceived, written or first performed at Cannons. Cannons was a large house in Middlesex, the seat of James Brydges, 1st Duke of Chandos who was a patron of Handel.
Arseny Mikhailovich Avraamov (Russian: Арсений Михайлович Авраамов) (1884, Novocherkassk, Russian Empire - 1944, Moscow, USSR) was an avant-garde Russian composer and music theorist. He studied at the music school of the Moscow Philharmonic Society, with private composition lessons from Sergey Taneyev.
George Frideric (or Frederick) Handel (/ ˈ h æ n d əl / HAN-dəl; [a] baptised Georg Fried[e]rich Händel, [b] German: [ˈɡeːɔʁk ˈfʁiːdʁɪç ˈhɛndl̩] ⓘ; 23 February 1685 – 14 April 1759) [3] [c] was a German-British Baroque composer well-known for his operas, oratorios, anthems, concerti grossi, and organ concertos.
The Year 1812, Solemn Overture, Op. 49, popularly known as the 1812 Overture, [1] is a concert overture in E ♭ major written in 1880 by Russian composer Pyotr Ilyich Tchaikovsky. The piece commemorates Russia 's successful defense against the French invasion of the nation in 1812.
The songs helped cross-pollinate the composer's work in other genres, with many of his operatic arias closely related to them. [72] While None but the Lonely Heart may be one of his finest songs, as well as perhaps the best-known in the West, [ 73 ] the Six Romances, Op. 65 and the Six Romances, Op. 73 are especially recommendable.
He used the first method in setting Psalm 51, for example, in No. 3. [7] Handel perhaps composed the anthems in pairs, sometimes reusing older material. [1] Ten of the anthems were published in 1748, today's numbers 2 to 11, in different order. No. 1, the Chandos Jubilate, was left out, possibly because the Utrecht Jubilate was published ...
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The "Canon on a Russian Popular Tune" (or "Canon for Concert Introduction or Encore") [1] [2] is an orchestral work by Igor Stravinsky composed in 1965.It is the composer's final completed score for orchestra and was composed in the summer of 1965 during work on his Requiem Canticles.