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Hula (chant with dance) and oli (chant without dance) are two general styles in which mele can be used/performed. Generally, "all mele may be performed as oli (chant without dance), but only certain types such as name chants, sex chants, love chants, and chants dedicated to the [ 'aumakua ] gods of hula (ritual dance), may be performed as hula ...
Normal hula studios teach the traditional Polynesian dance forms like hula, Tahitian, Maori, or Samoan dance. Students at a hula studio are taught by staff members, not the actual Kumu Hula (master). Sometimes if there are advanced enough students, they can be taught by the Kumu Hula in a separate class. In a Hālau Hula though, it is organized ...
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The hula hoop craze swept the world, dying out in the 1980s except in China and Russia, where hula hooping and hoop manipulation were adopted by traditional circuses and rhythmic gymnasts. In the mid to late 1990s there was a re-emergence of hula hooping, generally referred to as either "hoopdance" or simply "hooping" to distinguish it from the ...
[1] [2] Iolani was raised by her great aunt Julia Keahi Luahine (1877–1937), who began educating her in the ancient Kauai school of hula when she was four years old. [1] [3] [4] [5] Her aunt Keahi was "the foremost hula instructor of her day and one of the last royal dancers from King Kalākaua's and Queen Lili’uokalani's court."
The pahu, or hula drum, is considered to be a sacred instrument and is the primary instrument used by the kumu hula also known as the instructors. The pahu guides the dancers, dictating the pace of the dance with the rhythm of the drum. Dancers place the drum on the ground or strap it to their thigh and play it during the hula.
Kanakaʻole was a Hawaiian dancer, chanter, teacher, and kumu hula. [4] She began composing oli (Hawaiian chants) in 1946, and songs in 1947. [4] She choreographed hula to go with many of her chants. [1] In 1953, after her mother had a stroke, she trained her daughters Nalani and Pualani to eventually take over the hālau. [6]
In 1985, he founded a company of dancers, known as Nā Lei Hulu i ka Wēkiu in San Francisco. [1] [2] The company's style blends traditional movements with non-Hawaiian music like opera, electronic, dance, alternative, and pop. The company's stage productions showcase both hula mua and authentic, traditional pieces.
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