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Scruggs himself became a partner in the venture for a while, and the product was known as "Scruggs-Keith Tuners". Known today simply as Keith Tuners, they remain the state of the art, and Bill Keith continued to manufacture and market them personally as the primary product of his own company, the Beacon Banjo Company, until his death. Beacon ...
The Beacon Banjo Company of Woodstock, New York was founded in January 1964 by banjo player Bill Keith and his college friend Dan Bump to manufacture and market their new D-tuners, now commonly called Keith tuners. With these tuners, banjo players can change pitches accurately while playing. [1]
Bill Keith (artist) (1929–2004), painter, photographer and visual poet Bill Keith (musician) (1939–2015), banjo player and innovator of the "melodic style" of banjo playing William H. Keith, Jr. (born 1950), action/adventure and military science fiction author
The Keith style of playing the 5-string banjo emphasizes the melody of the song. Also known as the "Melodic" or "Chromatic style", it was first developed and popularized independently by Bobby Thompson and Bill Keith in the early 1960s. It is used primarily by bluegrass banjoists, though it can be applied to virtually any genre.
Earl Scruggs did not invent three-finger banjo playing; in fact, he said the three-finger style was the most common way to play the five-string banjo in his hometown in western North Carolina. [8] An early influence was a local banjoist, DeWitt "Snuffy" Jenkins , who plucked in a finger style.
Early Dawg is a live album by American mandolinist David Grisman, released in 1980.With Del McCoury on guitar and vocals, Jerry McCoury on bass, Bill Keith on banjo plus other well-known musicians, Grisman offers a mix of traditional songs, compositions by Bill Monroe and his own contributions, mainly of bluegrass and progressive bluegrass style.
Just two months before he died, Toby Keith performed three sold-out shows in Las Vegas.. The 62-year-old, who died on Feb. 5 following a battle with stomach cancer, announced the shows in a ...
According to Devon Wells, "Blackberry Blossom", as a banjo tune, was brought to the public's attention as one of the earliest arrangements of Bill Keith. [12] Wells, a bluegrass teacher, asserts that the tune is a standard in the bluegrass banjo repertoire. [13] Tony Rice recorded an influential version of the tune on the album, “Manzanita.”
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