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Howard the Duck (vol. 4) #1–4, Howard the Duck Vol. 1 #1 and material from Civil War: Choosing Sides. April 2008 978-0785127765: Spider-Man: Animal Magnetism: Spider-Man: Back in Quack and Spider-Ham 25th Anniversary Special, Ultimate Civil War Spider-Ham and Top Dog #10 February 2011 978-0785151937: Howard the Duck Vol. 0: What the Duck
Other Marvel credits include Howard the Duck's first two solo stories in Giant-Size Man-Thing #4 and #5 (May and Aug. 1975) [9] and the first two issues of the Howard the Duck comic book series (Jan. and March 1976), [10] as well as the anthologies Chamber of Chills, Haunt of Horror, and Unknown Worlds of Science Fiction.
During this time, he drew the first Howard the Duck Annual (May 1977) and Howard the Duck #22-23 (March–April 1978). [4] He was also an artist on the Howard the Duck newspaper comic strip in 1977. [ citation needed ] He co-plotted and co-scripted, in addition to drawing, Howard the Duck #33 (Sept. 1986), the second and last issue of a short ...
Switzler first appeared in Howard the Duck #1 (Jan. 1976), [1] before going on to appear alongside Howard in most of his appearances. She did not make very many appearances in comics during the 1980s.
Eugene Jules Colan (/ ˈ k oʊ l ə n /; September 1, 1926 – June 23, 2011) [1] was an American comic book artist best known for his work for Marvel Comics, where his signature titles include the superhero series Daredevil, the cult-hit satiric series Howard the Duck, and The Tomb of Dracula, considered one of comics' classic horror series.
"Howard the Duck" Howard the Duck meets the Defenders in a new story, "Five Villains in Search of a Plot!", by writer Steve Gerber and artists Sal Buscema and Klaus Janson. Also reprints stories from Fear #19; Giant-Size Man-Thing #4–5; and Howard the Duck #1 with a new opening page. [16] 13: 1976 "Giant Superhero Holiday Grab-Bag"
After multiple production difficulties and mixed response to test screenings, Howard the Duck was released in theaters on August 1, 1986. Upon its release, the film was a critical and commercial failure and was criticized for its humor, performances, inconsistent tone, and appearance of the title character, though the effects and soundtrack ...
Comic books have been an integral and popular part of the American rock group Kiss' merchandising since 1977, beginning with their appearance in Marvel Comics' Howard the Duck #12. [1] Over their career of nearly four decades, Kiss has licensed their name to "more than 3,000 product(s) . . . to become nearly a one-billion-dollar brand." [2]
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