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McCartney wrote "Ebony and Ivory" at his farm in Scotland. [3] The song uses the ebony (black) and ivory (white) keys on a piano as a metaphor for integration and racial harmony. The title was inspired by McCartney hearing Spike Milligan say, "Black notes, white notes, and you need to play the two to make harmony, folks!"
Tug of War is the third solo studio album by the English musician Paul McCartney, released on 26 April 1982.It is his 11th album overall following the break up of the Beatles in 1970, his first album released after the dissolution of his band Wings the previous year, and his first album following the murder of his former songwriting partner John Lennon. [1]
Following the break-up of Wings, McCartney released his third solo album, Tug of War, in 1982, which featured contributions from Stevie Wonder ("Ebony and Ivory" and "What's That You're Doing") and Carl Perkins ("Get It") and the song "Here Today", [13] a tribute to former Beatle John Lennon after his murder in December 1980.
"Ebony and Ivory" "Ebony and Ivory" (solo version) Barry Myers "Take It Away" John McKenzie "Tug of War" Maurice Phillips 1983 "Say Say Say" Bob Giraldi "Pipes of Peace" Paul McCartney and Keith MacMillan "So Bad" Paul McCartney 1984 "No More Lonely Nights" (special dance mix) David G. Hillier "We All Stand Together" Geoff Dunbar 1985
(1981) "Do I Do" (1982) "Ebony and Ivory" (1982) Alternative covers; Alternate 7-Inch single cover "Do I Do" is a song written and performed by American singer and ...
Ebony and Ivory" is a single by Paul McCartney and Stevie Wonder. Ebony and Ivory may also refer to: Ebony and Ivory (piano duo) Ebony and Ivory (Devil May Cry), fictional weapons "Ebony and Ivory", an episode of Roc "Ebony and Ivory", an episode of The Jeffersons; The keys of a piano
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Rolling Stone described the song as McCartney's equivalent to John Lennon's "Imagine". [1] The song has a clear division between the verses featuring sad lyrics about the struggle to survive, the necessity of conflict (pushing and pulling) and the hopeful refrain, in which McCartney looks for a future where these struggles are no longer necessary. [2]