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Chicano studies, also known as Chicano/a studies, Chican@ studies, or Xicano studies originates from the Chicano Movement of the late 1960s and 1970s, and is the study of the Chicano and Latino experience.
She was also the art editor for the high school's literary magazine. [8] Barraza briefly attended Texas Arts and Industry University, (now Texas A&M University, Kingsville), enrolling in 1969. It was during this time that she learned about Mexican and pre-Columbian art and was exposed to the growing Chicano Movement. [2]
This art form primarily focuses on the experiences of those who are working class, lower income and identify as Mexican or Chicano. The blending of different mediums or repurposing of objects allows the art form to be accessible, allowing the genre to cross boundaries between repurposing art and fine art, which makes "rasquachismo" unique.
The Centro Cultural de la Raza (Spanish for Cultural Center of the People) is a non-profit organization with the specific mission to create, preserve, promote and educate about Chicano, Mexicano, Native American and Latino art and culture.
In the 1940s and 1950s, as a precursor to the Chicano Movement, Mexican youth rejected the previous generation's racial aspirations and developed an "alienated Pachuco culture that fashioned itself neither as Mexican nor American." As a result, some scholars designate a difference between Chicanos and Mexican Americans.
Chicana art emerged as part of the Chicano Movement in the 1960s. It used art to express political and social resistance [1] through different art mediums. Chicana artists explore and interrogate traditional Mexican-American values and embody feminist themes through different mediums such as murals, painting, and photography.
The Chicano art workers wanted people to see their work in Mexico. People were against Mexican artists. Mexican women were most hated in the movement. Some Mexicans can show culture with art. Mexicans were fighting for a difference. In conclusion, The chicano arts movement helped Mexicans.
CARA was the first time a Chicano exhibit received major attention from the press and it was the first exhibit that collaborated between Chicanos and major museums in the U.S. [4] The show was considered a "notable event in the development of Chicano art."