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Among some Italians, these patterns are known as "Greek Lines". Such a design may also be called the Greek fret or Greek key design, although these terms are modern designations; this decorative motif appears thousands of years before that culture, thousands of miles away from Greece, and among cultures that are continents away from it.
As Gisela Richter puts it, the forms of these vases (by convention the term "vase" has a very broad meaning in the field, covering anything that is a vessel of some sort) find their "happiest expression" in the 5th and 6th centuries BC, yet it has been possible to date vases thanks to the variation in a form’s shape over time, a fact ...
Greek cities in Italy such as Syracuse began to put the heads of real people on coins in the 4th century BC, as did the Hellenistic successors of Alexander the Great in Egypt, Syria and elsewhere. [98] On the reverse of their coins the Greek cities often put a symbol of the city: an owl for Athens, a dolphin for Syracuse and so on.
During the Greek Dark Age, spanning the 11th to 8th centuries BC, the prevalent early style was that of the protogeometric art, predominantly using circular and wavy decorative patterns. This was succeeded in mainland Greece , the Aegean , Anatolia , and Italy by the style of pottery known as geometric art , which employed neat rows of ...
Some late Roman and Greek poetry and mythography identifies him as a sun-god, equivalent to Roman Sol and Greek Helios. [2] Ares (Ἄρης, Árēs) God of courage, war, bloodshed, and violence. The son of Zeus and Hera, he was depicted as a beardless youth, either nude with a helmet and spear or sword, or as an armed warrior.
The form triskelion (as it were Greek τρισκέλιον [9]) is a diminutive which entered English usage in numismatics in the late-19th century. [ 10 ] [ 11 ] The form consisting of three human legs (as opposed to the triple spiral) has also been called a " triquetra of legs", also triskelos or triskel .
Geometric art is a phase of Greek art, characterized largely by geometric motifs in vase painting, that flourished towards the end of the Greek Dark Ages and a little later, c. 900–700 BC. [1] Its center was in Athens , and from there the style spread among the trading cities of the Aegean . [ 2 ]
Heracles and Geryon on an Attic black-figured amphora with a thick layer of transparent gloss, c. 540 BCE, now in the Munich State Collection of Antiquities.. Black-figure pottery painting, also known as the black-figure style or black-figure ceramic (Ancient Greek: μελανόμορφα, romanized: melanómorpha), is one of the styles of painting on antique Greek vases.