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The SCAD Museum of Art was founded in 2002 as part of the Savannah College of Art and Design in Savannah, Georgia, and originally was known as the Earle W. Newton Center for British American Studies. The museum's permanent collection of more than 4,500 pieces includes works of haute couture , drawings, painting, sculpture, photography, prints ...
List of works by Guido Cagnacci; List of Alexander Calder public works; List of paintings in the Galleria Nazionale di Capodimonte; Caricatures by John Henry Chinner; Caricatures by Low 1915; List of works by Auguste Carli; List of works by Carolus-Duran; Catalogue of the Pinacoteca of the Accademia Carrara; List of works by Mary Cassatt
CDWA Lite is an XML schema created by ARTstor, the J. Paul Getty Trust, and RLG Programs/OCLC to describe core records for works of art and material culture based on CDWA and the Cataloging Cultural Objects (CCO) content standard. The schema was created because of the absence of a data content standard specifically designed for unique cultural ...
This category is for works of Visual art; for other forms see Category:Creative works. Do not put individual works here, but in one of the sub-categories.
Types of art techniques There is no exact definition of what constitutes art. Artists have explored many styles and have used many different techniques to create art ...
Number of Creative Commons licensed works as of 2017, per State of the Commons report. This is a list of notable works available under a Creative Commons license. Works available under a Creative Commons license are becoming more common. Note that there are multiple Creative Commons licenses with important differences.
When works are submitted for consideration to the producers of an artist's catalogue raisonné the works are normally returned to the owner once the process has concluded. The Wildenstein Institute, for example, had a policy stating "Whatever the committee's recommendation, the work will be returned upon presentation of the consignment receipt ...
At issue was the question of whether the aesthetic intentions of the artist in creating the work of art, whatever its specific form, should be associated with the criticism and evaluation of the final product of the work of art, or, if the work of art should be evaluated on its own merits independent of the intentions of the artist. [143] [144]