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The biwa (Japanese: 琵琶) is a Japanese short-necked wooden lute traditionally used in narrative storytelling. The biwa is a plucked string instrument that first gained popularity in China before spreading throughout East Asia, eventually reaching Japan sometime during the Nara period (710–794).
Biwa hōshi (琵琶法師), also known as "lute priests", were travelling performers in the era of Japanese history preceding the Meiji period. They earned their income by reciting vocal literature to the accompaniment of biwa music. Biwa hōshi were mostly blind, and adopted the shaved heads and robes common to Buddhist monks.
The biwa (琵琶 - Chinese: pipa), a form of short-necked lute, was played by a group of itinerant performers (biwa hōshi). The root of Biwa music was The Tale of the Heike. [7] Biwa hōshi organized into a guild-like association. The biwa is Japan's traditional instrument. [citation needed]
琵琶 is an East Asian string instrument. 琵琶 may refer to: Bipa, a Korean pear-shaped lute; Biwa, a Japanese short-necked fretted lute; Pipa, a Chinese plucked string instrument; Tỳ bà or đàn tỳ bà (檀琵琶), a Vietnamese traditional plucked string instrument
Traditional Japanese musical instruments, known as wagakki (和楽器) in Japanese, are musical instruments used in the traditional folk music of Japan. They comprise a range of string , wind , and percussion instruments.
English: Types of Biwa, Japanese short-necked fretted lute, often used in narrative storytelling. Left to right: Gagaku-biwa, Chikuzen-biwa, Heike-biwa, Mōsō-biwa, Satsuma-biwa Left to right: Gagaku-biwa, Chikuzen-biwa, Heike-biwa, Mōsō-biwa, Satsuma-biwa
It is the second largest Awa Dance Festival in Japan, with an average of 188 groups composed of 12,000 dancers, attracting 1.2 million visitors. [11] The Japanese production company Tokyo Story produced a version of Awa Odori in 2015 in Paris by bringing dancers from Japan in order to promote Awa Odori and the Japanese "matsuri" culture abroad.
Nagauta (長唄, literally "long song") is a kind of traditional Japanese music played on the shamisen and used in kabuki theater, primarily to accompany dance and to provide reflective interludes. [ 1 ]