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Because, you come to me, with naught save love, and hold my hand and lift mine eyes above, a wider world of hope and joy I see, because you come to me! Because you speak to me in accent sweet, I find the roses waking 'round my feet, and I am led through tears and joy to thee, because you speak to me! Because God made thee mine, I'll cherish thee!
The hymn discusses the experience of Christian believers that Jesus Christ lives within their hearts, which is scriptural in the Word of God: “I am crucified with Christ; and it is no longer I who live, but it is Christ who lives in me.”—Galatians 2:20, and “That Christ may make His home in your hearts through faith.”—Ephesians 3:17 ...
"He" is a song about God, written in 1954. The song made the popular music charts the following year. The music was written by Jack Richards, with lyrics by Richard Mullan. The song was originally published by Avas Music Publishing, Inc.
He wrote "I Know That My Redeemer Lives" in 1775 while he was a minister at a Baptist church in Liverpool. [3] It was first published in George Whitefield's Psalms and Hymns hymnal in the same year with seven verses though without attribution. [1] He later self-published it in 1800 in the London edition of his Hymns hymnal. [1]
"Glorious Day (Living He Loved Me)" is a song performed by contemporary Christian band Casting Crowns from their 2009 album Until the Whole World Hears. While the music was composed by the band, the lyrics come from the hymn "One Day", written in 1910 by John Wilbur Chapman during the second summer conference of the Stony Brook Assembly in ...
1968: J. D. Sumner and the Stamps Quartet on Music, Music, Music; 1968: George Beverly Shea on Whispering Hope; 1968: The Statesmen Quartet on Standing on the Promises; 1971: Connie Smith on Come Along and Walk with Me; 1977: Tennessee Ernie Ford on He Touched Me; 1997: The Jordanaires on Sing Elvis' Favorite Gospel Songs
Taylor Swift officially kicked off the 36th annual Rock and Roll Hall of Fame festivities with a tribute to Carole King, singing a show-opening cover of “Will You Love Me Tomorrow.” Speaking ...
The melody is credited to Dorsey, drawn extensively from the 1844 hymn tune, "Maitland". [1] " Maitland" is often attributed to American composer George N. Allen (1812–1877), but the earliest known source (Plymouth Collection, 1855 [2]) shows that Allen was the author/adapter of the text "Must Jesus bear the cross alone," not the composer of the tune, and the tune itself was printed without ...