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This can be reversed as a deliberate play on conventions, by having the evil character dress in white, as a symbol of their hypocrisy or arrogance. For example, Don Fanucci in The Godfather, Part II is an evil character, but wears an expensive all-white suit as a sign of his esteem, power and prestige.
Dark Romanticism is a literary sub-genre of Romanticism, reflecting popular fascination with the irrational, the demonic and the grotesque. Often conflated with Gothic fiction , it has shadowed the euphoric Romantic movement ever since its 18th-century beginnings.
'"darkness, gloom"'), [2] or Erebos, is the personification of darkness. In Hesiod 's Theogony , he is the offspring of Chaos , and the father of Aether and Hemera (Day) by Nyx (Night); in other Greek cosmogonies, he is the father of Aether, Eros , and Metis , or the first ruler of the gods.
Gothic literature is strongly associated with the Gothic Revival architecture of the same era. English Gothic writers often associated medieval buildings with what they saw as a dark and terrifying period, marked by harsh laws enforced by torture and with mysterious, fantastic, and superstitious rituals.
Darkness is the condition resulting from a lack of illumination, or an absence of visible light. Human vision is unable to distinguish colors in conditions of very low luminance because the hue -sensitive photoreceptor cells on the retina are inactive when light levels are insufficient, in the range of visual perception referred to as scotopic ...
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's Les Fleurs du mal.
The Gothic double is a literary motif which refers to the divided personality of a character. Closely linked to the Doppelgänger, which first appeared in the 1796 novel Siebenkäs by Johann Paul Richter, the double figure emerged in Gothic literature in the late 18th century due to a resurgence of interest in mythology and folklore which explored notions of duality, such as the fetch in Irish ...
This pall of darkness inspired Byron to write his poem. Literary critics were initially content to classify it as a "last man" poem, telling the apocalyptic story of the last man on Earth. More recent critics have focused on the poem's historical context, as well as the anti-biblical nature of the poem, despite its many references to the Bible.